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  1. New Directions in Digital Poetry

    As poets continue to use digital media technology, functionalities of computing extend aesthetic possibilities in documents focusing attention on crafting verbal content. Utility of these machines and tools enables multiple types of compounded articulation (combinations of verbal, visual, animated, and interactive elements). Building larger public awareness of the mechanics of digital poetry, New Directions in Digital Poetry aspires to influence the formation of writing with media in literary society of the future, specifically as a record of a particular technological era.

    Scott Rettberg - 24.01.2012 - 13:52

  2. Geeks Bearing Gifts: How the Computer World Got This Way

    Geeks Bearing Gifts: How the Computer World Got This Way

    Eric Dean Rasmussen - 03.02.2012 - 15:34

  3. Unoriginal Genius: Poetry by Other Means in the New Century

    Unoriginal Genius: Poetry by Other Means in the New Century

    Eric Dean Rasmussen - 03.02.2012 - 15:47

  4. Computers and Creativity

    A brief history of computers and the people involved in their development and a discussion of the computer's past and potential use in creating music, literature, and other artistic works.

    Elisabeth Nesheim - 03.02.2012 - 17:08

  5. The Shape of the Signifier: 1967 to the End of History

    The Shape of the Signifier: 1967 to the End of History

    Eric Dean Rasmussen - 10.02.2012 - 14:08

  6. Virtual Muse: Experiments in Computer Poetry

    In this engaging, accessible memoir, Charles Hartman shows how computer programming has helped him probe poetry's aesthetic possibilities. He discusses the nature of poetry itself and his experiences with primitive computer-generated poetry programs and -- illustrated with sample computer-produced verses -- traces the development of more advanced hardware and software.

    The central question about this cyber-partnership, Hartman says, "isn't exactly whether a poet or a computer writes the poem, but what kinds of collaboration might be interesting." He examines the effects of randomness, arbitrariness, and contingency on poetic composition, concluding that "the tidy dance among poet and text and reader creates a game of hesitation. In this game, a properly programmed computer has a chance to slip in some interesting moves." (source: book description)

    Meri Alexandra Raita - 11.02.2012 - 11:44

  7. Digitale Medien in der Erlebnisgesellschaft. Kunst, Kultur, Utopien

    Untersucht werden die gesellschaftlichen und ästhetischen Auswirkungen kultureller Phänomene digitaler Medien. Den Schwerpunkt bilden ausführliche Fallstudien künstlerischer und kultureller Phänomene wie Newsgroups, Computergames, Weblogs, interaktive Installationen oder Online-Kunst, die jeweils in einen größeren intermedialen Zusammenhang gestellt werden.

    Patricia Tomaszek - 14.02.2012 - 23:57

  8. How We Think: Digital Media and Contemporary Technogenesis

    How do we think? N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis-the belief that humans and technics are coevolving-and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa. mines the evolution of the field from the traditional humanities and how the digital humanities are changing academic scholarship, research, teaching, and publication. She goes on to depict the neurological consequences of working in digital media, where skimming and scanning, or "hyper reading," and analysis through machine algorithms are forms of reading as valid as close reading once was.

    Eric Dean Rasmussen - 17.02.2012 - 09:33

  9. Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts

    Exe.cut[up]able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts

    Jörgen Schäfer - 17.02.2012 - 12:56

  10. Language machines : technologies of literary and cultural production

    Language machines : technologies of literary and cultural production

    Meri Alexandra Raita - 03.03.2012 - 19:35

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