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1. 'Reading' Performance: Eugenio Tisselli's Wen

   'Reading' Performance: Eugenio Tisselli's Wen

   Eric Dean Rasmussen - 02.05.2012 - 15:48

2. Davey Dreamnation and the Performance of Self

   Davey Dreamnation and the Performance of Self

   Eric Dean Rasmussen - 02.05.2012 - 15:52

3. Performance as a Categoriser

   Performance as a Categoriser

   David Prater - 03.05.2012 - 12:57

4. A Performance of Reality. Handwriting and Paper in Digital Literature

   Digital literature emphasizes its own medium, and it brings to the foreground the graphic, material aspects of language. Experiments with the new medium and with the form of language are generally presented and interpreted within a framework of the historical avant-garde or the neo-avant-garde. This article aims to take a new perspective on the emerging digital materiality of language.

   The analysis of three works that remediate paper, the voice, the writing hand, or the physical presence of the author, leads to the conclusion that an ‘absent presence’ is given prominence. This paradoxical merging of presence and absence makes these forms of digital literature an expression of a specifically late postmodernist ambivalent stance regarding representation of the ‘real’. Complicity with the media culture goes hand in hand with an ironic approach of the mediatedness of the world and the body.

   (Source: Author's abstract)

   Marije Koens - 03.05.2012 - 22:57

5. Debates in the Digital Humanities

   Debates in the Digital Humanities

   Eric Dean Rasmussen - 04.05.2012 - 10:05

6. Performed poetics in multi-linear narrative situations

   Performed poetics in multi-linear narrative situations

   Scott Rettberg - 04.05.2012 - 10:34

7. Huis Clos / No Exit

   A work-in-progress presentation of a performance project. Abraham's describes a scripted telematic performance in which constraints and interface limitations fme the performance. She describes her work as performance to do research, and research as a medium and playground. Always an exercise in self-organization--the performances are not directed. The performance is a multilingual one about communication, miscommunication, and translation.

   Scott Rettberg - 04.05.2012 - 12:44

8. Cris Cheek on Poetics and Projection

   Cris Cheek on Poetics and Projection

   Scott Rettberg - 04.05.2012 - 13:28

9. Deutschsprachige Literaturmagazine im Internet: Ein Handbuch

   Deutschsprachige Literaturmagazine im Internet: Ein Handbuch

   Jörgen Schäfer - 04.05.2012 - 13:57

10. Flash Points: Reading Electronic Literature as a Metaphor for Creativity

    In her groundbreaking volume Electronic Literature: New Horizons for the Literary (2008), N. Katherine Hayles describes the concept of a ‘flash point’ as a moment within pedagogy or teaching practice when a student grasps the complex potential of a digital work. As a form of pedagogical breakthrough moment, the concept of the flash point also alludes to a mode of creativity that acknowledges the possibility that neurological processes can be replicated, if only metaphorically, in creative works. In this article, we explore the possibilities suggested by the idea of the flash point as a teaching model and as a metaphor for creativity beyond the teaching of digital literature. We build upon our experiences as teachers within a digital literary and creative writing context, respectively. What the two different writing and teaching contexts have in common is the fostering of writing in a digital age as a central practice. The article examines how digital media and writing come together in pedagogical practices.

    David Prater - 05.05.2012 - 11:33

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