Search

The search found 1574 results in 0.04 seconds.

Search results

1. Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

   Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

   Eric Dean Rasmussen - 31.01.2011 - 15:39

2. Katja Kwastek

   Dr. Katja Kwastek is an art historian and coordinator of research at the school of arts at Ludwig Maximilian University in Munich. She served as vice-director of the Ludwig Boltzmann Institute Media.Art.Research. in Linz (Austria), where she directed the research projects on interactive art until 2009. Prior to this, she worked as assistant professor at the art history department of the Ludwig Maximilian University in Munich and was a Visiting Scholar at the Rhode Island School of Design (Providence, RI). Her research focuses on contemporary and new media art, media theory and aesthetics. She has curated exhibition projects, lectured widely and published many books and essays, including Ohne Schnur. Art and Wireless Communication, Frankfurt (2004). She recently finished a book manuscript on the aesthetics of interaction in digital art.

   (Soruce: Transmediale.de)

   Eric Dean Rasmussen - 31.01.2011 - 15:42

3. The Possible Worlds of Hypertext Fiction

   Publisher's blurb: Written in hypertext and read from a computer, hypertext novels exist as a collection of textual fragments, which must be pieced together by the reader.The Possible Worlds of Hypertext Fiction offers a new critical theory tailored specifically for this burgeoning genre, providing a much needed body of criticism in a key area of new media fiction.

   Table of Contents: The Universe of Hypertext Fiction
   Hypertext Fiction and the Importance of Worlds
   Contradictions, World Views and the Nature of Truth in Michael Joyce's (1987) afternoon--a story
   Going, Going, Gone: the Slippery Worlds of Stuart Moulthrop's (1995) Victory Garden
   Is there a Mary/Shelley in this World? Parody and Counterparts in Shelley Jackson's (1997) Patchwork Girl
   The Colourful Worlds of Richard Holeton's (2001) Figurski at Findhorn on Acid
   Bibliography
   Index

   Eric Dean Rasmussen - 01.02.2011 - 11:43

4. Kiene Brillenburg Wurth

   Kiene Brillenburg Wurth works as an Associate Professor with the Department of Comparative Literature at Utrecht University. In her research, she focuses on aesthetic theory, literary theory and intermediality, especially the relations between literature and music in the 18th-, 19th-, and 20th centuries. She has published on the sublime, music, British and German Romanticism, philosohpy of art, and post-modern philosophy.

   Eric Dean Rasmussen - 02.02.2011 - 15:37

5. Kind of Blue

   An email novel that forms a sequel to Rob Wittig's Blue Company, originally sent out in emails to a small group of readers over the course of the summer of 2002, and later published on the web as an archive of emails in August 2003 by frAme Journal of Culture and Technology.

   Jill Walker Rettberg - 02.02.2011 - 22:03

6. Jan Baetens

   Jan Baetens is professor of cultural studies at the University of Leuven. He has
   widely published (most often in French) on word and image studies, particularly
   in the field of the so-called minor genres (graphic novel, photonovel,
   novelization) and contemporary French writing and poetry, more specifically in
   the field of constrained writing.

   Eric Dean Rasmussen - 04.02.2011 - 12:25

7. Anne Frances Wysocki

   Anne Frances Wysocki

   Eric Dean Rasmussen - 10.02.2011 - 18:12

8. overboard

   John Cayley, with Giles Perring and Douglas Cape.

   overboard is an example of literal art in digital media that demonstrates an 'ambient' time-based poetics. There is a stable text underlying its continuously changing display and this text may occasionally rise to the surface of normal legibility in its entirety. However, overboard is installed as a dynamic linguistic 'wall-hanging,' an ever-moving 'language painting.' As time passes, the text drifts continually in and out of familiar legibility - sinking, rising, and sometimes in part, 'going under' or drowning, then rising to the surface once again. It does this by running a program of simple but carefully designed algorithms which allow letters to be replaced by other letters that are in some way similar to the those of the original text. Word shapes, for example, are largely preserved. In fact, except when 'drowning,' the text is always legible to a reader who is prepared to take time and recover its principles. A willing reader is able to preserve or 'save' the text's legibility.

   Eric Dean Rasmussen - 11.02.2011 - 09:45

9. Spawn

   Spawn is a mouse-responsive liquid poem that reduces its own language and content into chaos and symbols.

   Eric Dean Rasmussen - 11.02.2011 - 16:45

10. Marc Voge

    Young-Hae Chang Heavy Industries

    Eric Dean Rasmussen - 12.02.2011 - 18:30

Pages