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1. Heimatmuseum II

   In der neuen Version des HEIMATMUSEUMS werden wieder Herzensangelegenheiten gesammelt. Im Vorfeld des Projekts wurden daher speziell ausgewählte Personen um eine Spende für das Museum gebeten. Etwas im Zusammenhang mit ihren (Sinnes-)Organen, etwas, das ihn oder sie, da wo er oder sie ist, am Leben hält. Das konnte ein Gegenstand sein, ein Objekt von unscheinbarem Wert, ein Zitat, ein Lesestück, ein Sound, eine Musik, Geräusch, Geruch, eine Erinnerung, eine Locke (von wem), ein Foto, ein Bild, ein haptisches Erlebnis ... Jede Spende wurde mit einem heimgearbeiteten Text versehen und so ins Museum bzw. unter www.heimatmuseum.com online gestellt.

   Jörgen Schäfer - 07.11.2012 - 16:44

2. ich sterbe gleich, schatz. Dramatisches Chat-Destillat (2004). Von einer stillen Autorin, einem geschwätzigem Publikum und der Frage, warum Ümit in Istanbul Schuhe putzen soll

   ich sterbe gleich, schatz. Dramatisches Chat-Destillat (2004). Von einer stillen Autorin, einem geschwätzigem Publikum und der Frage, warum Ümit in Istanbul Schuhe putzen soll

   Jörgen Schäfer - 12.11.2012 - 11:20

3. All wrongs reversed ©1982

   Screen Grab tutorial of how to make simple computer graphics using the BASIC programming language. This continues JODI's work for the Sinclair ZX Spectrum computer. (Source: Mike Connor - FACT Centre Liverpool)

   Luciana Gattass - 22.11.2012 - 14:51

4. Lombrices (Minhocas)

   Author statement: "Estuve haciendo un video con Ricardo Pons. Compré frente al Club de los pescadores en la Costanera Norte un paquete de lombrices grandes, gordas. Las lavé en un balde para sacarles la tierra y las puse en el medio de una tabla blanca de 100 x 70 centímetros. Ricardo las filmaba mientras las lombrices se corrían hacia los costados cubriendo todo el rectángulo. Resultó un cuadro movedizo. Pensé terminar el video con una gallina hambrienta comiendo vorazmente el dibujo. No sé si lo voy a hacer. Pero me gusta la idea del arte que dibujan las lombrices, que luego es comido por la gallina y que después, se puede terminar, es defecado sobre un infierno de Boticelli. Es decir cubrir todo el ciclo: arte animal, arte comido y arte defecado sobre la idea principal de nuestro patrimonio cultural: arte suplicio, arte infernal, arte castigo. No se cómo llamar a esos cuadros horribles tan bien pintados." (Ferrari, Official Site)

   Luciana Gattass - 23.11.2012 - 15:22

5. Quando Assim Termina o Nunca 1 – Visuais

   Produced in 2004, and launched four years later, the Quando Assim Termina o Nunca project collects on CD, DVD and book Wilton Azevedo’s poetic production in digital, sound and written media. With eighteen video poems, Azevedo shows what he considered poetically and technologically possible in the beginning of this century. (Source: Videobrasil)

   Luciana Gattass - 28.11.2012 - 17:21

6. uConnect

   "uConnect" is an attempt to deal with the materiality of digital commodities, commerce, and culture through a juxtaposition of simulation and the representation of materiality.

   Scott Rettberg - 09.01.2013 - 22:46

7. Voice Mosaic

   Since the begining of the 21st century it has become possible to use reliable computational voice interfaces with speech synthesis and voice recognition. This work intends to cause experimentation and reflection wiith the potentialities and issues of talking to the web, which brings lots of new possibilities and also new challenges and complexities.

   (Source: 2008 ELO Media Art show)

   Scott Rettberg - 09.01.2013 - 23:11

8. Untitled 5

   Untitled 5 is the fifth interactive installation in theExternal Measures Series, which Utterback has been developing since 2001. The goal of these works is to create an aesthetic system which responds fluidly and intriguingly to physical movement in the exhibit space. The installations respond to their environment via input from an overhead video camera. Custom video tracking and drawing software outputs a changing wall projection in response to the activities in the space. The existence, positions, and behaviors of various parts of the projected image depend entirely on people’s presence and movement in the exhibit area.

   Scott Rettberg - 12.01.2013 - 16:04

9. In Search of Oldton

   How does a town just disappear?

   What does it feel like to be cut off from your roots in a digital age where people have so many tools for recording and documenting their lives?

   How do those of us who grew up in a pre-digital age recover and maintain a sense of belonging that is becoming increasingly so hard to hold on to?

   'In Search of Oldton' is an attempt to use other people's digital documentary in order to recapture and re-invent my own personal history.

   Tim Wright will be touring the UK during 2004 in search of Oldton – his lost place of birth - and uncovering along the way the possible causes of its demise and the subsequent loss of his past.

   Working with groups and individuals Wright wants to build up a substantial online archive showing people taking their leave of a place or a person - a range of personal stories about ‘saying goodbye’ and ‘moving on’.

   Through texts, pictures, videos and oral testimony, he will build up a digital archive of fictional remembrances, tributes to numerous places and situations left behind.

   And ultimately (he hopes!) his own digital story of memory and loss will emerge.

   Scott Rettberg - 19.01.2013 - 23:11

10. Soothcircuit

    Soothcircuit is a large-scale work of Web poetry that relies on interactive mechanisms inspired by the I Ching, an ancient Chinese oracle book. The work echoes the I Ching’s purpose of providing not so much glimpses into the future as insights into different situations. Each reader’s individual interaction with the work will produce a different combination of aphoristic stanzas. Each unique result can be approached as both a traditional poem and as a reflection upon the reader’s unique personal circumstances -- an oracular“analysis of the reader's current situation. If the reader addresses a question to the Soothcircuit, the reading can also be viewed as an (indirect) answer to the question.

    Scott Rettberg - 19.01.2013 - 23:27

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