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1. Thanner Kuhai - 'The Water Cave'

   Thanner Kuhai is a short work of digital poetry, an elemental metaphor about wrestling with depression and finding hope against all odds. The reader/player is transported into an environment where language becomes intertwined with nature in a flooded subterranean world. Navigate tunnels and passageways teeming with strange life and shadows of words. Submerge beneath the water. Or seek escape to the surface. Available in English and Tamil.

   Shanmuga Priya - 15.03.2018 - 07:02

2. Literatura electrónica en español / Electronic Literature in Spanish

   Alex Saum-Pascual presents and contextualizes contemporary Spanish-language electronic literature and reads from her digital poetry.

    

   Scott Rettberg - 03.05.2018 - 10:00

3. Mora amor

   El poema es una experiencia interactiva. Puedes jugar con las palabras y los sonidos españoles para hacer y crear tu propia construcción audiovisual.

   Puedes saber más sobre ella y su trabajo en http://www.uvm.edu/~tescaja/home.htm

   Tina Escaja - 27.08.2018 - 00:57

4. Word Toys

   With the ascent of digital culture, new forms of literature and literary production are thriving that include multimedia, networked, conceptual, and other as-yet-unnamed genres while traditional genres and media—the lyric, the novel, the book—have been transformed. Word Toys: Poetry and Technics is an engaging and thought-provoking volume that speculates on a range of poetic, novelistic, and programmed works that lie beyond the language of the literary and which views them instead as technical objects.
    
   Brian Kim Stefans considers the problems that arise when discussing these progressive texts in relation to more traditional print-based poetic texts. He questions the influence of game theory and digital humanities rhetoric on poetic production, and how non-digital works, such as contemporary works of lyric poetry, are influenced by the recent ubiquity of social media, the power of search engines, and the public perceptions of language in a time of nearly universal surveillance.
    

   Ana Castello - 02.10.2018 - 19:22

5. A Cultural Analysis of Resistances to Digital Poetries

   A Cultural Analysis of Resistances to Digital Poetries

   Scott Rettberg - 27.08.2019 - 15:02

6. GRIOT's Tales of Haints and Seraphs: A Computational Narrative Generation System

   D. Fox Harrell considers what is computational about composition, and describes the GRIOT system for generating literary texts.

   The source is the essay-review on www.electronicbookreview.com written by D. Fox Harrell

   Kristina Igliukaite - 15.05.2020 - 13:21

7. Novissima verba: huellas digitales / electrónicas / cibernéticas en la poesía latinoamericana

   Luis Correa-Díaz se pregunta en esta serie de ensayos si la literatura electrónica está o no hoy por alcanzar esa velocidad de escape de la fuerza gravitacional de la literatura tradicional. ¿Cómo se negocia en esta época el valor literario, el estatus de lo escrito, la desaparición o permanencia del libro en esta etapa de transición y adaptación literaria?
   Pareciera haber en español una escasez de discursos críticos e iniciativas de estudio que den cuenta de estas significativas mutaciones culturales. De allí la especial importancia de este libro que se presenta de referencia obligada, especialmente para los estudios de obras iberoamericanas, en los que se centra esta publicación.

   (Source: Belén Gache, Publisher's website)

   Alvaro Seica - 25.08.2020 - 10:58

8. The broken poem: Ephemerality, glitch and de-performance in digital (and non-digital) poetry

   The Broken Poem: Ephemerality, Glitch, and De-Performance in Digital (and Non-Digital) Poetry explores a few ways in which digital poetry, poetry that is written in programmable media and is intended to be read on computers or other digital devices, is acting to tactically resist various forms of oppression through what I am calling “breakage.” Breakage is, in this sense, an error or disruption in a perceived continuity. For example, I look at digital poems that take advantage of the fact that, because of software or hardware upgrades, they have a limited functional life. The poets’ embrace of their poems’ ephemerality actively resists market forces, cultural or professional demands on the poet to participate in processes of canonization, and the like. I also explore the idea of “glitching poetic language,” in which existing texts are digitally manipulated, digitally “broken” through a process in which the poet provokes errors. This is a remix strategy with aleatoric results that shifts the reader’s focus from the referential elements of the text, or the fragments of text, to an error, a break.

   Åse Marie Våge Beheim - 16.09.2020 - 11:23

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