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  1. Electronic literature production – a case study of Korporacja Ha!art (poster)

    It is often said that the field of electronic literature is “author driven”. Many established e-literary artists produce their work on their own, publishing it on their personal website, promoting and often even writing interpretations themselves. This however is not the only model present in the global field of digital born literature. The poster is devoted to the Polish institution Korporacja Ha!art and the model of production of e-literature in Poland. The institution is an NGO that runs a professional publishing house, which has published over 500 traditional books, ebooks and audiobooks. It also runs a sort of laboratory for the production of digital born literature by the leading artists in the field in its area of the world. The producer activities of the institution also involve the publication of translations of classic first generation hypertexts (on CDs, which were distributed conventionally through bookstores) and second generation work accessible online.

    Piotr Marecki - 27.04.2018 - 17:10

  2. Exploring digital fiction as a tool for teenage body image bibliotherapy

    This article reflects on the findings of the interdisciplinary 'TransForm' project, which ran between 2012 and 2014 and aimed to explore how reading and writing digital fictions might support young women in developing frameworks for more positive thinking regarding their body image. The project comprised the following stages: (1) a review and compilation of digital fictions thematizing and/or problematizing female corporeality; (2) a series of cooperative inquiries with three groups of young women (aged 16-19 years) over a period of five weeks, examining participants’ responses to a selection of the previously compiled digital fictions, as well as the challenges these young women face in relation to body image; and (3) an interventionist summer school in which participants aged 16-19 explored body image issues via writing digital fictions. This article reports on the main observations and findings of each stage, and draws conclusions for future research needs in this area. 

    Astrid Ensslin - 05.06.2018 - 23:50

  3. The Sublime Language of My Century

    The Sublime Language of My Century

    Jana Jankovska - 19.09.2018 - 15:33

  4. Judy Malloy’s Uncle Roger

    Judy Malloy’s Uncle Roger

    Ana Castello - 03.10.2018 - 16:55

  5. Having Your Story and Eating It Too: Affect and Narrative in Recombinant Fiction

    “Recombinant poetics”, a term coined by artist/scholar Bill Seaman, refers to a techo-poetic practice in which the display and juxtaposition of semantic elements are generated by computer algorithms, rather than through an author’s predetermined composition. Although inspired by traditions of combinatorial literature and the use of constraints to generate narrative or poetic forms, recombinant works of art produce variable “fields of meaning” (Seaman/Ascott) for the user. Recombinant authors program discrete semantic elements, media stored in arrays or databases, to display through random, semi-random or variable processes, often in conjunction with user-interaction. Examples of recombinant poetics in works of digital poetry and art are abundant. Digital narratives that foreground recombinant processes are less common, because they tend to dismantle or dissolve themselves as sequential narrative in favor of more non-linear, emergent meanings.

    David Wright - 28.08.2019 - 03:05

  6. Introduction (What (in the World) Was Postmodernism)

    Introduction (What (in the World) Was Postmodernism)

    Yvanne Michéle Louise Kerignard - 17.09.2019 - 14:41

  7. “The End”

    “The End”

    Yvanne Michéle Louise Kerignard - 17.09.2019 - 15:36

  8. Tom LeClair reviews Amy Hungerford, Making American Literature Now (Fictions Present)

    Tom LeClair reviews Amy Hungerford, Making American Literature Now (Fictions Present)

    Trygve Thorsheim - 17.09.2019 - 15:54

  9. Nominalisms Ancient and Modern: Samuel Beckett, the Pre/Post/Modernist?

    Nominalisms Ancient and Modern: Samuel Beckett, the Pre/Post/Modernist?

    Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:51

  10. “Not Going Where I Was Knowing”: Time and Direction in the Postmodernism of Gertrude Stein and Caroline Bergvall

    “Not Going Where I Was Knowing”: Time and Direction in the Postmodernism of Gertrude Stein and Caroline Bergvall

    Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:58

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