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  1. Sauti ya wakulima: "The Voice of the Farmers": The creation of a community memory through appropriated media

    Sauti ya wakulima: "The Voice of the Farmers": The creation of a community memory through appropriated media

    Scott Rettberg - 04.11.2012 - 11:30

  2. Upstage

    Upstage

    Scott Rettberg - 04.11.2012 - 12:02

  3. The Digital Manual

    The Digital Manual

    Scott Rettberg - 04.11.2012 - 12:10

  4. Palimpsest

    Palimpsest

    Scott Rettberg - 04.11.2012 - 12:34

  5. A Response to Roberto Simanowski's "The Compelling Charm of Numbers"

    A Response to Roberto Simanowski's "The Compelling Charm of Numbers"

    Scott Rettberg - 04.11.2012 - 13:24

  6. Locating the Creativity in the Interactive Fiction Community

    Locating the Creativity in the Interactive Fiction Community

    Scott Rettberg - 05.11.2012 - 11:11

  7. Search Lutz!

    More than 50 years ago a calculator generated a literary text for the first time ever. This happened in Stuttgart, Germany. In 1959 Theo Lutz wrote a programme for Zuse Z22 to create stochastic texts. Following Max Bense’s (Stuttgardian philosopher) advice, he took sixteen nouns and adjectives out of Kafka’s "Schloss," which the calculator then formed into sentences, following certain patterns. Thus, every sentence began with either "ein" or "jeder" ("one" or "each") or the corresponding negative form "kein" or "nicht jeder" ("no" or "not everybody"). Then the noun, selected arbitrarily from the pool of sixteen given nouns, was linked through the verb "ist" ("is") with the likewise arbitrarily chosen adjective. Last, the whole construction was linked up through "und," "oder," "so gilt" ("and," "either," "thus") or given a full stop.

    Johannes Auer - 05.11.2012 - 12:29

  8. Invisible Participation: Language and the Internet

    Language is the hidden scaffolding of networks, applications, and web sites. It is minified and monetized in ways that are often occluded from the everyday user’s experience. From their point of view, the interaction is innocuous – language is used for labels and explanations. A few words are typed into an empty field and thousands of related results appear instantly. A simple search, an email to a friend, a unique phrase – all easily logged, monetized, and indexed. This is the world of invisible participation.

    Scott Rettberg - 05.11.2012 - 16:28

  9. Presentation of the ELMCIP Anthology of European Electronic Literature (Rap version)

    Presentation of the ELMCIP Anthology of European Electronic Literature (Rap version)

    Scott Rettberg - 05.11.2012 - 17:44

  10. The Artist, the Database, and the Project of the University

    John Cayley's talk at the ELMCIP Remediating the Social conference "Invisible Participation" panel, where he used the ELMCIP Knowledge Base to make some important points about the function of the database in the future of arts and humanities research, imagining a future in which the documentation of a work within the database (the artistic event) is the accredited publishing event.

    Scott Rettberg - 06.11.2012 - 10:47

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