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  1. Digital and Analog Texts

    Digital and Analog Texts

    Scott Rettberg - 03.02.2012 - 15:57

  2. Media Poetry: An International Anthology

    The work of the poets discussed in this book challenges even the innovations of experimental poetics. It embraces new technologies to explore a new syntax made of linear and non-linear animation, hyperlinkage, interactivity, real-time text generation, spatiotemporal discontinuities, self-similarity, synthetic spaces, immateriality, diagrammatic relations, visual tempo, multiple simultaneities, and many other innovative procedures.

    This new media poetry, although defined within the field of experimental poetics, departs radically from the avant-garde movements of the first half of the century, and the print-based approaches of the second half. Through an embrace of the vast possibilities made available through new media, the artists in this anthology have become the poetic pioneers for the next millennium.

    (Source: Publisher's description)

    Scott Rettberg - 03.02.2012 - 16:34

  3. Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues

    Jim Rosenberg’s Diagram Poems Series #3: A Few Preliminary Notes on Translation Issues

    Arnaud Regnauld - 05.03.2012 - 15:07

  4. Conceptual Poetics

    Conceptual Poetics

    Meri Alexandra Raita - 21.03.2012 - 18:35

  5. Graphs, Maps, Trees: Abstract Models for Literary History

    In this groundbreaking book, Franco Moretti argues that literature scholars should stop reading books and start counting, graphing, and mapping them instead. In place of the traditionally selective literary canon of a few hundred texts, Moretti offers charts, maps and time lines, developing the idea of “distant reading” into a full-blown experiment in literary historiography, in which the canon disappears into the larger literary system. Charting entire genres—the epistolary, the gothic, and the historical novel—as well as the literary output of countries such as Japan, Italy, Spain, and Nigeria, he shows how literary history looks significantly different from what is commonly supposed and how the concept of aesthetic form can be radically redefined.

    (Source: Verso online catalog.)

    Eric Dean Rasmussen - 18.04.2012 - 11:24

  6. Review: re:skin

    Review: re:skin

    Helen Burgess - 20.06.2012 - 19:33

  7. Hyperrhiz 04: e-Lit

    Special Topic: e-Lit

    Helen Burgess - 20.06.2012 - 19:38

  8. Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together

    "Getting in on the Ground Floor: A Hazy History of How and Why We Banded Together" was commissioned for xxxboîte, an artifact produced in celebration of the first ten years of Studio XX, a Feminist art centre for technological exploration, creation, and critique, founded in Montreal in 1996. 

    J. R. Carpenter - 29.07.2012 - 13:13

  9. Reflections on the Perception of Generative and Interactive Hypermedia Works

    Reflections on the Perception of Generative and Interactive Hypermedia Works

    Patricia Tomaszek - 23.08.2012 - 13:36

  10. Toward a Semantic Literary Web: Setting a Direction for the Electronic Literature Organization’s Directory (2007)

    Electronic Literature is not just a "thing" or a "medium" or even a body of "works" in various "genres." It is not poetry, fiction, hypertext, gaming, codework, or some new admixture of all these practices. E-Literature is, arguably, an emerging cultural form, as much a collective creation of new terms and keywords as it is the production of new literary objects. Both the "works" and their terms of description need to be tracked and referenced. Hence, a Directory of Electronic Literature needs to be, in the first place, a site where readers and (necessarily) authors are given the ability to identify, name, tag, describe, and legitimate works of literature written and circulating within electronic media. This essay grew out of practical debates among the ELO's Working Group on the Directory, established in the Spring of 2005 and active through the Winter of 2006. The essay offers a set of practical recommendations for development, links to potentially affiliated sites, and an overall vision of how literary form is created in a networked culture.

    Patricia Tomaszek - 24.08.2012 - 15:41

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