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Becoming Digital
A circular interview on "Becoming Digital" conducted by J. R. Carpenter, with responses from Brian Stefans, Stuart Moulthrop, Darren Wershler, David Jhave Johnston, Lori Emerson, Nick Montfort, and Stephanie Strickland in an anthology on experimental poetics edited by Amy De'Ath and Fred Wah, out now from Banff Centre Press.
J. R. Carpenter - 10.05.2015 - 11:55
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The Digital Diasthima: Time-Lapse Reading Digital Poetry
In moving texts, such as digital kinetic poetry, the reader-user might no longer control the duration of their reading, unlike the traditional and static nature of printed texts. The user deals with readable time versus executable time, the human time-line versus the machine time-line. By having an imposed and fixed number of milliseconds to perceive the text on the screen, the user might find themselves completing or imagining the unread text, following the dynamic forms with an imposed dynamic content. Yet, to understand the shifting reading patterns of digital poems, one has to consider another methods or tools that may complement traditional models. Therefore, performing a critical approach solely based in close reading methods might not accomplish a fully comprehensible reading of digital poetry. In this sense, following upon methods taken from other areas, e.g. time-lapse photography and R.
Alvaro Seica - 03.09.2015 - 22:02
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Toward a Poetics for Circulars
A chapter about a web site Stefans hosted, Circulars, which "was founded on January 30, 2003, to provide a focal point for poets’ and artists’ activities and reflections on the impending inva- sion of Iraq along with the politics of the media and civil liberties issues." (quote from first sentence of chapter).
Jill Walker Rettberg - 16.09.2020 - 11:20
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Digital Humanities
A chapter in the Bloomsbury Handbook of Literary and Cultural Theory about the emergence of a new field of digital arts, Hypertext.
Joseph Tabbi - 30.11.2021 - 14:40
