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1. Apresentação de Amor de Clarice

   Apresentação de Amor de Clarice

   Rui Torres - 04.12.2011 - 17:56

2. Apenas estas palavras mutantes

   Apenas estas palavras mutantes

   Rui Torres - 04.12.2011 - 17:59

3. Amor de Clarice [Resenha]

   Amor de Clarice [Resenha]

   Rui Torres - 04.12.2011 - 18:02

4. E-Poetry Bibliography

   The E-Poetry Bibliography provides an introduction to a wide variety of digital poetries, including code, visual, animated, video, audio, interactive/game, programmatic/generative and collaborative poetry.

   Christine Wilks - 20.01.2012 - 18:31

5. New Directions in Digital Poetry

   As poets continue to use digital media technology, functionalities of computing extend aesthetic possibilities in documents focusing attention on crafting verbal content. Utility of these machines and tools enables multiple types of compounded articulation (combinations of verbal, visual, animated, and interactive elements). Building larger public awareness of the mechanics of digital poetry, New Directions in Digital Poetry aspires to influence the formation of writing with media in literary society of the future, specifically as a record of a particular technological era.

   Scott Rettberg - 24.01.2012 - 13:52

6. Computer Poems

   "In his preface to the anthology Computer Poems (1973), Richard Bailey identifies four poetic tendencies that influenced the works included in the collection: "concrete poetry," "poetry of sound in verbal orchestrations," "imagistic poetry in the juxtaposition of the unfamiliar," and "haiku" (n.pag.). The poems in the anthology reasonably support his (somewhat) dated viewpoint, but there is a correspondence between poetry and digital poetry."
   (Source: Chris Funkhouser in Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades)

   Elisabeth Nesheim - 03.02.2012 - 15:57

7. Writing the Virtual: Eleven Dimensions of E-Poetry

   Eleven characteristics of networked digital poetry, a category that encompasses an enormous variety of work, are discussed and illustrated with examples. Issues raised include the recalibration of the writing/reading relationship, the nature of attachment at the site of interaction, an architectonic quality of instrument-building that characterizes many pieces, differing treatments of time and “place”, the use of recombinant flux, a performative character displayed by many works, the omnipresence of both translation and looping, as well as pervasive references to ruin and hybrid states of mixed reality.

   (Source: article abstract)

   Eric Dean Rasmussen - 06.02.2012 - 10:45

8. Virtual Muse: Experiments in Computer Poetry

   In this engaging, accessible memoir, Charles Hartman shows how computer programming has helped him probe poetry's aesthetic possibilities. He discusses the nature of poetry itself and his experiences with primitive computer-generated poetry programs and -- illustrated with sample computer-produced verses -- traces the development of more advanced hardware and software.

   The central question about this cyber-partnership, Hartman says, "isn't exactly whether a poet or a computer writes the poem, but what kinds of collaboration might be interesting." He examines the effects of randomness, arbitrariness, and contingency on poetic composition, concluding that "the tidy dance among poet and text and reader creates a game of hesitation. In this game, a properly programmed computer has a chance to slip in some interesting moves." (source: book description)

   Meri Alexandra Raita - 11.02.2012 - 11:44

9. Literal Art

   John Cayley dadas up the digital, revealing similarities of type across two normally separate, unequal categories: image and text. "Neither lines nor pixels but letters," finally, unite.

   (Source: ebr First Person thread page)

   Eric Dean Rasmussen - 15.02.2012 - 13:15

10. Poetry Goes Intermedia: US-amerikanische Lyrik des 20. und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive

    Poetry Goes Intermedia: US-amerikanische Lyrik des 20. und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive

    Jörgen Schäfer - 06.03.2012 - 13:46

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