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O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Po-ex.net
O experimentalismo português iniciou-se na década de 1960, com um propósito comum de conferir ao acto poético valores artísticos, políticos e sociológicos assentes numa ruptura de vanguarda. O presente ensaio situa a intervenção experimental como invenção, transgressão e metamorfose, visto que perpassa as obras dos autores de "Poesia Experimental" e, mais tarde, de um novo conjunto de autores que exploraram a poesia visual, sonora, digital e a performance. Através do arquivo Po-ex.net, que documenta e dissemina o seu estudo, traçam-se dois itinerários, revisitando algumas das obras com carácter interventivo e transformativo, desde os anos 1960 até à actualidade.
(Fonte: Resumo dos Autores)
Alvaro Seica - 07.11.2016 - 17:36
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Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart
Klaus Peter Dencker, visual poet, Germanist and media theorist, documents the spectrum of forms of optical poetry from its pre-historic beginnings up to the present digital age. The compendium provides a typology of optical poetry, an international historical overview with many illustrations and several chronological tables together with indexes of subjects and names providing access to the comprehensive apparatus of notes. (Source: https://www.degruyter.com/view/product/176646)
Alvaro Seica - 10.02.2017 - 12:41
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Looking Back while Moving Forward: The Case of Concrete Poetry and Sankofa
This article considers the intersection between African oral tradition and electronic literature by exploring the potential of Sankofa to interact with concrete poetry in an electronic space. Sankofa is an example of the Adinkra, a set of symbols that were originally created and used by the Akan in West Africa. These symbols have literary value which this article looks at in ways similar to concrete poetry; examining Sankofa as concrete poetry in an electronic context enables a simultaneous dovetailing with as well as convergence from oral and print based modes of engaging with the text: aspects of oral tradition influence this exploration.
Elias Adanu - 07.06.2017 - 20:12
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The Freedom Adventure of Portuguese Experimentalism and Kinetic Poetry
The Freedom Adventure of Portuguese Experimentalism and Kinetic Poetry
Ana Castello - 27.04.2018 - 14:25
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Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird
Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird
Patricia Tomaszek - 23.07.2018 - 16:30
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From Dada to Digital: Experimental Poetry in the Media Age
At least since Mallarme, if not before, poets in the Western tradition have responded to changes in media technologies by reflecting on their own relationship to language, and by reassessing the limits and possibilities of poetry. In the German- speaking world, this tendency has been pronounced in a number of experimental movements: Dada, particularly in Zurich and Berlin between 1916 and 1921; Concrete poetry, especially its Swiss and German variants in the 1950s and '60s; and finally, digital or electronic poetry, a genre that is still developing all around the world, but has roots in Germany dating back to the late 1950s. For each of these movements, the increasing dominance of new media technologies contributes to an understanding of language as something material, quantifiable, and external to its human users, and casts doubt on the function of language as a means of subjective expression, particularly in the context of poetry.
Patricia Tomaszek - 07.08.2018 - 14:27
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Introduction - Concrete Poetry: A World View
Introduction - Concrete Poetry: A World View
Ana Castello - 09.10.2018 - 15:17
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Ian Hamilton Finlay: the concrete poet as avant gardener
Ian Hamilton Finlay: the concrete poet as avant gardener
Ana Castello - 13.10.2018 - 16:06
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Concrete & “What Looks Like Poetry
Concrete & “What Looks Like Poetry
Ana Castello - 13.10.2018 - 17:10
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Interview David Daniels
Interview David Daniels
Ana Castello - 16.10.2018 - 16:46
