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1. Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental

   Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental

   Eric Dean Rasmussen - 08.07.2011 - 10:53

2. Hypertext 3.0: Critical Theory and New Media in an Era of Globalization

   From the publisher: From Intermedia to Microcosm, Storyspace, and the World Wide Web, Landow offers specific information about the kinds of hypertext, different modes of linking, attitudes toward technology, and the proliferation of pornography and gambling on the Internet. For the third edition he includes new material on developing Internet-related technologies, considering in particular their increasingly global reach and the social and political implications of this trend as viewed from a postcolonial perspective. He also discusses blogs, interactive film, and the relation of hypermedia to games. Thoroughly expanded and updated, this pioneering work continues to be the "ur-text" of hypertext studies.

   Patricia Tomaszek - 25.08.2011 - 22:53

3. Digital Poetry: From Cybertext to Programmed Forms

   Digital Poetry: From Cybertext to Programmed Forms

   Zuzana Husarova - 01.09.2011 - 16:59

4. New Media Poetry and Poetics

   LEA leaps into yet another bold foray, this time revolving around the world of new media poetics. Bursting at the cyber-seams, a spiffy collection of essays by myriad authors await. The proud guest editor of this edition in Tim Peterson and he’s woven together a marvelous mix of nine essays, and curated an equally exciting gallery showcasing four illuminating artist works. (Source: LEA)

   Eric Dean Rasmussen - 02.09.2011 - 10:30

5. An Ornithology of Net Art

   In this 2006 article Mark Tribe covers the origins of Young-Hae Chang Heavy Industry and contextualises some of the duo's artwork.

   Meri Alexandra Raita - 05.09.2011 - 14:25

6. Multimediality, Intermediality, and Medially Complex Digital Poetry

   In Grammophone, Film, Typewriter, Friedrich Kittler envisioned a digital future of demediation: all traditional differences between media and mediations would be ended in a fusion of digital numbers. Kittler’s vision, I argue in my paper, is premediated by Richard Wagner’s artwork of the future: despite their differences, both stage the dream of a multimedial future in which monomediality or medial compartmentalization is effectively aufgehoben. This idea of premediation is further explored by comparing Wagner’s music drama’s to digital multimedia works and events of the 1990’s and early years of our twenty-first century that try to fuse words, bodily gestures, sounds, and images.
   

   Patricia Tomaszek - 21.09.2011 - 14:34

7. New Media Art

   New Media Art

   Meri Alexandra Raita - 02.10.2011 - 14:37

8. The Role of Sound in Electronic Literature

   The Role of Sound in Electronic Literature

   Dene Grigar - 06.10.2011 - 07:04

9. The Potential of Electronic Textuality

   The Potential of Electronic Textuality

   Dene Grigar - 06.10.2011 - 07:05

10. The Role of Sound in Electronic Literature

    The Role of Sound in Electronic Literature

    Dene Grigar - 06.10.2011 - 07:07

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