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1. 1_100

   A interface do poema digital recorre à cor azul do tema standard da última distribuição do sistema operativo Windows 10 (foi usada ferramenta de color picker), procurando construir um caminho poético para a profanação e détournement. Este artefacto poético digital lida com a expectativa do utilizador, por meio da latência, desespero e frustração. Os utilizadores esperam que o poema carregue e, no fim, tudo o que lhes é devolvido é uma mensagem de erro que os informa de que é necessário fazer refresh à página, reiniciando todo o processo de carregamento do poema. Toda a gente sabe que não há nada mais frustrante do que a latência de uma barra de carregamento numa época sem tempo (sendo que nos encontramos constantemente com pressa, partilhando dum sentimento de urgência que nos é imposto). Ainda para mais se o processo de carregamento nunca acaba de todo, reivindicando um loop eterno que insiste numa iterativa formatação da memória. É o tempo na era digital um diferente tipo de tempo?

   (http://po-ex.net/taxonomia/materialidades/digitais/bruno-ministro-1-100)

   Bruno Ministro - 23.06.2016 - 16:22

2. The Silent Numbers

   The Silent Numbers combines audio collage with original text appropriated from an e-mail group devoted to recording and transcribing numbers stations. Numbers stations are shortwave radio broadcasts of human and machine-read numbers and letters probably used in espionage to communicate with field agents.

   Sondre Skollevoll - 15.09.2016 - 13:16

3. Entropic Texts

   Entropic Texts is an interactive html5 browser-based artwork co-authored with Jason Nelson. This piece debuted at ISEA2015 (International Symposium of Electronic Art) in Vancouver, Canada, as a part of the exhibition ‘New Text: An Exhibit about Literary and Artistic Explorations into What It Means to Read, Write, and Create’ Curated by Dene Grigar. The theme of ISEA2015, and thus this exhibition, was ‘disruption’.

   The idea behind this artwork/digital poem/electronic literature piece, was to consider entropy through a variety of different means. The first way, was through creating an imaginary space where the entropy actually worked faster – imagining a world where there was a corner of the earth in which things aged and decomposed quicker. For this we chose a junkyard – a space of decay. Secondly we considered how entropy would affect certain types of data, and how it could be represented through data – both visual and textual. For this we decided to use a variety of glitching techniques. Finally, we considered how a conceptual entropy could affect a website interface, as the user moved through it.

   Alvaro Seica - 05.11.2016 - 16:15

4. The Gathering Cloud

   This hybrid print- and web-based work work aims to address the environmental impact of so-called ‘cloud’ computing through the oblique strategy of calling attention to the materiality of the clouds in the sky. Both are commonly perceived to be infinite resources, at once vast and immaterial; both, decidedly, are not. Fragments from Luke Howard’s classic “Essay on the Modifications of Clouds” (1803) as well as more recent online articles and books on media and the environment are pared down into hyptertextual hendecasyllabic verses. These are situated within surreal animated gif collages composed of images materially appropriated from publicly accessible cloud storage services. The cognitive dissonance between the cultural fantasy of cloud storage and the hard facts of its environmental impact is bridged, in part, through the constant evocation of animals: A cumulus cloud weighs one hundred elephants. A USB fish swims through a cloud of cables. Four million cute cat pics are shared each day.

   J. R. Carpenter - 09.11.2016 - 11:03

5. A potential polyphony

   A potential polyphony is an interactive text compilation which results in an ever-changing polyphone word-image composition. The visitor can, at its discretion, turn on, play, and turn off the six sequences that make up the work. This video is part of the project Zelf worden See www.zelfworden.nl. (translation description Literatuur Op Het Scherm)

   Hannah Ackermans - 07.12.2016 - 14:28

6. ⌰ [Total Runout]

   Ian Hatcher’s online and kinetic poem ⌰ [Total Runout] (2015) critiques corporate and governmental black boxing, at the level of its code, text, visual output and live sound performance. The poem is part of the series Drone Pilot, and it is presented in different versions: a Web-based work, a sound piece and a performance. It remixes appropriated text from a WikiLeaked manual by the UK Ministry of Defense, essays on artificial intelligence, and Hatcher’s own text. The overall versions of the work, understood as variable events, boldly problematize communication and cognitive processes in networks—whether they are implemented in computer systems by secret agencies or corporations. Hatcher’s critique to black boxes entails recreating issues of security, control and surveillance, as controlled systems are increasingly paving the way for less privacy and less knowledge about their inner workings. As a result, the poem questions the essence of privacy, redaction, and systemic violence, when access is a privileged asset of agents with security clearances or those with a deep knowledge of programming.

   (Source: Álvaro Seiça)

   Alvaro Seica - 22.03.2017 - 18:45

7. Una Página de Babel

   Una página de Babel is a glyph generator programmed by Nick Montfort that recombines all the glyphs (15881) in Jorge Luis Borges's short story "The Library of Babel" (1944). Language: to-be-named. Source: Álvaro Seiça

   Alvaro Seica - 25.03.2017 - 13:50

8. Objects

   poema digital que cria combinações aleatórias com os 27 nomes das mulheres assassinadas em Portugal em contexto de violência doméstica, durante 2015.

   feito em Processing a partir do código Silly Poet de Abe Prazos.

   (Source: http://cargocollective.com/lilianavasques/e-poetry)

   Alvaro Seica - 04.05.2017 - 11:56

9. El Poema que Cruzò el Atlántico

   The aim of this interdisciplinary practice-based artistic investigation has been to create a multi-linguistic and interactive online poetic narrative, The Poem that Crossed the Atlantic, and this accompanying website. The Poem is fed by the stories gathered in the website through uploaded posts. The interlacing of the stories will increase with the number of posts. Its main inspiration has been a personal story rooted in historical events of the Spanish Civil War and the Spanish and Chilean Historical Memory, interconnected with the involvement of the Chilean poet Pablo Neruda in the evacuation and rescue of 2,200 Spanish civil war exiles- including my own grandfather- from French concentration camps to Valparaiso, Chile, in the Winnipeg ship in 1939.

   (Source: http://winnipeg.mariamencia.com/#winnipeg)

   Alvaro Seica - 06.08.2017 - 12:18

10. Digital Ream

    Digital Ream is a Web edition of the poem Ream, by Nick Montfort. Ream was originally written for print and paper.

    1. Ream is a 500 page poem.
    2. The writing of Ream was entirely imagined and executed on one day: April 5, 2006.
    3. On each page of Ream a single, one-syllable word appears, centered, in ordinary, 14-point type.
    4. Page numbers do not appear on any of the pages and are unnecessary, since the words are in alphabetical order.
    5. Pages 1-51 recapitulate Poe's "The Raven."
    6. The sexy part starts shortly after page 230.
    7. Ream can be read aloud in 12 minutes.

    The first public reading of Ream was on April 26, 2006 at Speakeasy, a student-run open mic at the Kelly Writers House in Philadelphia.

    (Source: http://nickm.com/poems/ream/about.html)

    Alvaro Seica - 25.09.2017 - 15:17

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