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1. From (w)reader to breather: Cybertextual de-intentionalisation in Kate Pullinger et al.’s Breathing Wall

   The aim of this paper is to investigate and exemplify a recent phenomenon in the practice of digital narrative, which engages creatively with the interplay between intentionality and corporeality in the reading process. Drawing on Espen Aarseth's (1997) alternative communication model, I introduce the concept of 'cybertextual retro-intentionalisation'. This concept refers to a hitherto unforeseen kind of transmedial and multimodal 'reading' that is governed by corporeal processes operating in competition with mental forces.

   (Source: summary from researchgate.net)

   Caroline Tranberg - 28.09.2021 - 01:04

2. The Double, the Labyrinth and the Locked Room: Metaphors of Paradox in Crime Fiction and Film

   Traditional detective fiction celebrates the victory of order and reason over the senseless violence of crime. Yet in spite of its apparent valorization of rationality, the detective genre has been associated from its inception with three paradoxical motifs - the double, the labyrinth and the locked room. Rational thought relies on binary oppositions, such as chaos and order, appearance and reality or truth and falsehood. Paradoxes subvert such customary distinctions, logically proving as true what we experientially know to be false.
   The present book explores detective and crime-mystery fiction and film from the perspective of their entrenched metaphors of paradox. This new and intriguing angle yields fresh insights into a genre that has become one of the hallmarks of postmodernism.

   Alisa Nikolaevna Ammosova - 29.09.2021 - 16:28

3. Game Cultures: Computer Games as New Media

   This book introduces the critical concepts and debates that are shaping the emerging field of game studies. Exploring games in the context of cultural studies and media studies, it analyses computer games as the most popular contemporary form of new media production and consumption. (Taken from Google Books)

   Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 21:36

4. From Diversion to Subversion: Games, Play, and Twentieth-century Art

   Games and play occupied a central, if misunderstood, role in modern art in the twentieth century. Many art-historical narratives have downplayed the ways in which artists returned to play and to games as analogues to art practice, as metaphors for creativity, or as models for art criticism. The essays collected in this volume investigate the fundamental importance of supposedly nonserious activity and attend to the ways in which artists used play and games in order to reconsider their practice and to expand their critical strategies. With subjects ranging from early twentieth-century manifestations of games and play in Surrealism, Duchamp, Picasso, and Bauhaus photography to their repercussions in Fluxus, performance, public practice, and new media, these essays establish the diversity and potential of games and play and point toward an alternate trajectory in the development of modern art. (Taken from psupress)

   Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 22:32

5. 'Living Letterforms': The Ecological Turn in Contemporary Digital Poetics

   In this keynote for the Digital Poetics and the Present seminar, RIta Raley offers a reading of David Jhave Johnston's Sooth, a cycle of six video poems, where the reader's clicks draw out lines of poems superimposed on video that drifts around a natural scene. Raley argues that Sooth is emblematic of a recent shift in digital poetry towards a concern with ecology, where non-human actors are animate and lively. She describes this as a step away from the intense focus on the code, the technical and computational processes that dominated digital poetry at the start of the last decade. Jhave's project, Rita Raley argues, is to create digital poems that respond as though they are animate, alive. This isn't about artificial intelligence or simply about emulating life but about prompting (in us, the readers) an embodied recognition of life.

   Jill Walker Rettberg - 09.12.2011 - 10:45

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