Search

Search content of the knowledge base.

The search found 52 results in 0.009 seconds.

Search results

  1. Cantiga

    Textual engine of Rui Torres with dialogue between medieval cantigas (the poetry of the troubadourism) and the re-reading that of them was done by Salette Tavares.

    Rui Torres - 09.12.2016 - 13:49

  2. The Bafflement Fires

    The Bafflement Fires is an interaction fiction/poem in the form of a digital recreation of a Freemason board game from the 1950s. Based on found documents, this game seems an attempt to alter player perceptions through quiz and play. Also attempt at building a part fiction, part creative non-fiction world, told through the surreal and literary answers/questions of someone trying to influence how we perceived the world around/inside us, playable on a screen attempting to create its own pixeled reality.

     

    James O'Sullivan - 17.01.2017 - 22:33

  3. All Hands Meeting

    “All Hands Meeting” is a live performance that uses aestheticized speech to engage conceptually with human/ machine entanglement. The piece consists of a monologue delivered by a semi-synthetic boss to an audience of interns. Three new strategic initiatives are presented: an app, a poem, and a political movement. This version of “All Hands Meeting” is site-specific to ELO 2017.

    (Source: ELO 2017 Book of Abtracts and Catalogs) 

    Alvaro Seica - 24.08.2017 - 15:56

  4. Why did you cry when you read that poem

    Why did you cry when you read that poem

    Carlos Muñoz - 26.09.2018 - 15:11

  5. The Winnipeg : The Poem That Crossed the Atlantic

    The Winnipeg: The Poem that Crossed the Atlantic consists of a website with information about these interdisciplinary research project and the poetic space of “The Poem that Crossed the Atlantic”; an interactive, multilinguistic transatlantic sea of stories fed by the uploaded posts gathered in the website. The main inspiration has been a personal story rooted in historical events of the Spanish Civil War and the Spanish and Chilean Historical Memory, due to the involvement of the Chilean poet Pablo Neruda in the evacuation and rescue of 2,200 Spanish civil war exiles from French concentration camps. The author worked with Alexandre Dupuis-Belin as creative programmer.

    Jane Lausten - 26.09.2018 - 15:35

  6. Selfiepoetry

    SELFIEPOETRY is a series of poems looking at some ways in which the inscription of the self (in today’s paradigmatic digital manifestation, i.e.: the selfie) can be reinterpreted against a very vague and unorthodox selection of artistic and literary trends. As of today, there are 8 poems, each constituting an intervention in a different movement. They also touch upon some very personal matters, since the author is intrigued by the many ways in which people today share their personal lives online.

    Li Yi - 26.09.2018 - 15:40

  7. Issue 1: fall 2008

    Issue 1: fall 2008

    Ana Castello - 02.10.2018 - 23:14

  8. Orange Sweatshirt

    Orange Sweatshirt

    Nina Kolovic - 01.11.2018 - 12:01

  9. Letter to the African Union

    Letter to the African Union

    Yohanna Joseph Waliya - 10.04.2019 - 05:10

  10. Interspecies and Random/Electronic-Poetry. From “Black on Sheep” (Bovine poem) to “Robot-poem@s”

    This presentation will explore random e-poetry and interspecies based on two electronic works: one that intersect humanity and insect-like robotics titled “Robot-poem@s”, and an eproject/poem based on a performance with sheep: “Negro en ovejas/Black on Sheep.” Robotpoem@s consist of insect-like robots (five quadrupeds and a bigger hexapod) whose legs and bodies are engraved with the seven parts of a poem written from the robot’s point of view in bilingual format (Spanish and English). Binary constructs such as creator/creature are questioned by these creatures purposely chosen from open-source models resembling insects and spiders, thus emphasizing anxiety and removal from humans while underlying the already problematic relation between humans and technology. The final segment of the poem, number VII, rephrases the biblical pronouncement on the creation of humans, as perceived by the robot: “According to your likeness / my Image.” With this statement, the notion of creation is reformulated and bent by the power of electronics, ultimately questioning its binary foundations.

    Vian Rasheed - 18.11.2019 - 15:26

Pages