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1. Grita

   It is a digital poem that can only be read by screaming to the screen. Once the user screams the verses of the poem appear and when the user stops, the words are not longer seen. It is an interactive sound poem. It can be related to Loss of Grasp by Serge Bouchardon and Vincent Volckaert and Zang Tumb Tumb by Filippo Tommaso Marinetti. Aburto is a Peruvian poet and professor at the PUCP. Having worked in Communicative Arts has permitted him use different formats for his poetry: oral, written and digital. His Peruvian origin can be seen in the way his work relates to other 2000s writers from Peru: vindication of publication of poetry and interest for combining conceptual, textual and visual aspects. In this work, the use of the screen, the microphone and the appearing and disappearing letters permit a communicative situation between poet and reader, the reader becomes a creator of the poem because his participation is essential for watching the words. The effort of crying out loud that the work demands to the reader increases the effects of the messages of desperation and vindication

   (Source: Maya Zalbidea)

   Maya Zalbidea - 08.01.2016 - 20:28

2. The US political poetry generator

   American politics isn’t usually poetic, but what happens when you throw in actual poetry? Behold, our political poetry generator. We’ve gathered the transcripts of the latest Republican and Democratic presidential debates, and programmatically stirred in hundreds of lines of classic poetry. Pick a candidate, poet, and style below, and see what beauty you can generate.

   Hannah Ackermans - 12.04.2016 - 10:06

3. samen dichten

   samen dichten is een poëziemachine waarbij mens en computer elkaar kunnen versterken. zo ontstaat er een gedicht dat de gebruiker niet zonder computer en de computer niet zonder deze specifieke gebruiker had kunnen schrijven.
   het idee achter dit project is om poëzie toegankelijk te maken voor een breder publiek. de poëziemachine laat mens en machine samenwerken, maar belangrijker: iedereen kan zo de kracht van taal ontdekken.

   (source: http://rooslaan.nl/samen-dichten/)

   Hannah Ackermans - 13.04.2016 - 17:32

4. Loss, Undersea

   Loss, Undersea is an interactive narrative/multimedia semantics project by Fox Harrell in which a character moving through a standard workday encounters a world submerging into the depths -- a double-scope story of banal life blended with a fantastic Atlantean metaphor. As a user selects emotion-driven actions for the character to perform, the character transforms -- sea creature extensions protrude and calcify around him -- and poetic text narrating his loss of humanity and the human world undersea ensues. (Source: MIT Icelab)

   Magnus Knustad - 07.09.2016 - 12:41

5. Thousand Questions

   In this work the network asks “If I wrote you a love letter would you write back?” Like the love letters which appeared mysteriously on the noticeboards of Manchester University’s Computer Department in the 1950s, thousands of texts circulate as computational processes perform the questions (perhaps as an expanded Turing test) on its listeners. These questions are extracted in real-time from Twitter with the keyword search of the ‘?’ symbol to create a spatio-temporal experience. The computerized voice the audience hears is a collective one, an entanglement of humans and non-humans, that circulates across networks. If I wrote you a love letter would you write back? (and thousands of other questions’ ) (封不回的情書？千言萬語無人回 was commissioned by the Microwave International New Media Festival 2012.

   Sebastian Cortes - 08.09.2016 - 15:48

6. Pigeon Forge

   "Pigeon Forge" is a poetry generator which remixes Nick Montfort's "Taroko Gorge" -- a nature poem generator built in javascript. Whalen modified the code and substituted the language of Montfort's work to create this poetry generator, which forms a picture of an urban landscape, it's green areas and city life.

   Guro Prestegard - 20.09.2016 - 15:55

7. poem.exe

   poem.exe is a micropoetry bot, assembling haiku-like poems throughout the day and publishing them on Twitter and Tumblr. It uses an Oulipo technique based on Raymond Queneau’s A Hundred Thousand Billion Poems. Verses are selected at random from a collection of a few hundred, and a single line is taken from each one to produce a new poem. After assembling a poem in this way, the program looks for seasonal references and uses these to decide whether to publish or reject the poem. The bulk of the corpus it reads from consists of translated haiku by Kobayashi Issa; as a result, many of the poems are coloured by Issa’s personality, in particular his fondness for snails.

   Aspasia Manara - 22.09.2016 - 16:05

8. Take Gonzo

   Take Gonzo started as a Taroko Gorge remix, and is now the gateway in to an creative exploration through the electronic literature filed.

   Take Gonzo includes a morse code which translates into an English sentence.

   Anders Gaard - 04.10.2016 - 22:43

9. Contemporary Japanese Poetry Generator

   A JavaScript program, written in 2012 by SHINONOME Nodoka, that produces parodies of contemporary Japanese poetry. Translation to English by Andrew Campana. (Source: ELC3)

   Guro Prestegard - 25.10.2016 - 15:53

10. meme.garden

    [meme.garden] is an Internet service that blends software art and search tool to visualize participants' interests in prevalent streams of information, encouraging browsing and interaction between users in real time, through time. Utilizing the WordNet lexical reference system from Princeton University, [meme.garden] introduces concepts of temporality, space, and empathy into a network-oriented search tool. Participants search for words which expand contextually through the use of a lexical database. English nouns, verbs, adjectives and adverbs are organized into floating synonym "seeds," each representing one underlying lexical concept. When participants "plant" their interests, each becomes a tree that "grows" over time. Each organism's leaves are linked to related streaming RSS feeds, and by interacting with their own and other participants' trees, participants create a contextual timescape in which interests can be seen growing and changing within an environment that endures.

    Cassie Spiral - 03.04.2020 - 19:22

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