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1. Upstage

   Upstage

   Scott Rettberg - 04.11.2012 - 12:02

2. The Digital Manual

   The Digital Manual

   Scott Rettberg - 04.11.2012 - 12:10

3. Palimpsest

   Palimpsest

   Scott Rettberg - 04.11.2012 - 12:34

4. A Response to Roberto Simanowski's "The Compelling Charm of Numbers"

   A Response to Roberto Simanowski's "The Compelling Charm of Numbers"

   Scott Rettberg - 04.11.2012 - 13:24

5. Locating the Creativity in the Interactive Fiction Community

   Locating the Creativity in the Interactive Fiction Community

   Scott Rettberg - 05.11.2012 - 11:11

6. Invisible Participation: Language and the Internet

   Language is the hidden scaffolding of networks, applications, and web sites. It is minified and monetized in ways that are often occluded from the everyday user’s experience. From their point of view, the interaction is innocuous – language is used for labels and explanations. A few words are typed into an empty field and thousands of related results appear instantly. A simple search, an email to a friend, a unique phrase – all easily logged, monetized, and indexed. This is the world of invisible participation.

   Scott Rettberg - 05.11.2012 - 16:28

7. Presentation of the ELMCIP Anthology of European Electronic Literature (Rap version)

   Presentation of the ELMCIP Anthology of European Electronic Literature (Rap version)

   Scott Rettberg - 05.11.2012 - 17:44

8. The Artist, the Database, and the Project of the University

   John Cayley's talk at the ELMCIP Remediating the Social conference "Invisible Participation" panel, where he used the ELMCIP Knowledge Base to make some important points about the function of the database in the future of arts and humanities research, imagining a future in which the documentation of a work within the database (the artistic event) is the accredited publishing event.

   Scott Rettberg - 06.11.2012 - 10:47

9. 10 PRINT CHR$(205.5+RND(1)); : GOTO 10

   This book takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as a lens through which to consider the phenomenon of creative computing and the way computer programs exist in culture. The authors of this collaboratively written book treat code not as merely functional but as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, its purpose, its assumptions, and more. They consider randomness and regularity in computing and art, the maze in culture, the popular BASIC programming language, and the highly influential Commodore 64 computer.

   (Source: Publication website)

   Elisabeth Nesheim - 07.03.2013 - 15:45

10. Constructs of the Interactive Documentary Image in Inside/Outside, The Unknown Territories Project, and Estuary

    This paper introduces three original works that use features of interactive documentary arts to explore social constructions of places and their attending narratives. The three interactive projects that are introduced are Inside/Outside, The Unknown Territories Project, and Estuary. The paper asks how tools of layering, compositing and navigation through documentary imagery in photography and film contribute to an understanding of the connection between social relationships and a sense of space.

    Scott Rettberg - 24.06.2013 - 16:32

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