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1. Kiene Brillenburg Wurth

   Kiene Brillenburg Wurth works as an Associate Professor with the Department of Comparative Literature at Utrecht University. In her research, she focuses on aesthetic theory, literary theory and intermediality, especially the relations between literature and music in the 18th-, 19th-, and 20th centuries. She has published on the sublime, music, British and German Romanticism, philosohpy of art, and post-modern philosophy.

   Eric Dean Rasmussen - 02.02.2011 - 15:37

2. Kind of Blue

   An email novel that forms a sequel to Rob Wittig's Blue Company, originally sent out in emails to a small group of readers over the course of the summer of 2002, and later published on the web as an archive of emails in August 2003 by frAme Journal of Culture and Technology.

   Jill Walker Rettberg - 02.02.2011 - 22:03

3. Jan Baetens

   Jan Baetens is professor of cultural studies at the University of Leuven. He has
   widely published (most often in French) on word and image studies, particularly
   in the field of the so-called minor genres (graphic novel, photonovel,
   novelization) and contemporary French writing and poetry, more specifically in
   the field of constrained writing.

   Eric Dean Rasmussen - 04.02.2011 - 12:25

4. Anne Frances Wysocki

   Anne Frances Wysocki

   Eric Dean Rasmussen - 10.02.2011 - 18:12

5. overboard

   John Cayley, with Giles Perring and Douglas Cape.

   overboard is an example of literal art in digital media that demonstrates an 'ambient' time-based poetics. There is a stable text underlying its continuously changing display and this text may occasionally rise to the surface of normal legibility in its entirety. However, overboard is installed as a dynamic linguistic 'wall-hanging,' an ever-moving 'language painting.' As time passes, the text drifts continually in and out of familiar legibility - sinking, rising, and sometimes in part, 'going under' or drowning, then rising to the surface once again. It does this by running a program of simple but carefully designed algorithms which allow letters to be replaced by other letters that are in some way similar to the those of the original text. Word shapes, for example, are largely preserved. In fact, except when 'drowning,' the text is always legible to a reader who is prepared to take time and recover its principles. A willing reader is able to preserve or 'save' the text's legibility.

   Eric Dean Rasmussen - 11.02.2011 - 09:45

6. Spawn

   Spawn is a mouse-responsive liquid poem that reduces its own language and content into chaos and symbols.

   Eric Dean Rasmussen - 11.02.2011 - 16:45

7. Marc Voge

   Young-Hae Chang Heavy Industries

   Eric Dean Rasmussen - 12.02.2011 - 18:30

8. Jessica Pressman

   Jessica Pressman researches and teaches twentieth- and twenty-first century experimental American literature, digital literature, and media theory. She is currently a Fellow with the American Council of Learned Societies and a Visiting Scholar and Lecturer at UCSD. She was Assistant Professor of English at Yale University (2008-2012) and received her Ph.D. in English from UCLA (2007). Her monograph on digital poetics, Digital Modernism: Making it New in New Media, is forthcoming from Oxford University Press (2014); Reading Project: a Collaborative Interpretation William Poundstone’s Digital Literature, co-written with Mark C. Marino and Jeremy Douglass, is under contract with Iowa University Press; Comparative Textual Media: Transforming the Humanities in a Postprint Era, co-edited with N. Katherine Hayles, is forthcoming with Minnesota University Press (2013). She is currently working on a manuscript that examines the fetishization of the book object in 21st-century print and digital literary culture.

   Eric Dean Rasmussen - 14.02.2011 - 09:58

9. Mark C. Marino

   Mark C. Marino is a writer and scholar of digital literature living in Los Angeles. He is the Director of Communication of the Electronic Literature Organization (http://eliterature.org). His works include “Living Will,” “a show of hands,” and “Marginalia in the Library of Babel.” He was one of ten co-authors of 10 PRINT CHR$(205.5+RND(1)); : GOTO 10 (http://10print.org) and is a collaborator with Jessica Pressman and Jeremy Douglass on the forthcoming Reading Project: A Collaborative Analysis of William Poundstone's Project for Tachistoscope {Bottomless Pit}. He is currently working with his two childrenon a series of interactive children's stories entitled Mrs. Wobbles and the Tangerine House. He is an Associate Professor (Teaching) at the University of Southern California where he directs the Humanities and Critical Code Studies (HaCCS) Lab (http://haccslab.com). His complete portfolio is here: http://markcmarino.com

   Eric Dean Rasmussen - 18.02.2011 - 19:01

10. Alan Bigelow

    Alan Bigelow writes digital stories and poems for the web. These stories are created for viewing on the web, although they can be (and have been) shown as gallery installations.

    He was the 2011 winner of the BIPVAL international Prix de Poésie Média. His work, installations, and conversations concerning digital fiction and poetry have appeared in Turbulence.org, Rhizome.org, SFMOMA (Open Space),  Los Angeles Center for Digital Arts, 14th Japan Media Arts Festival (The National Art Center, Tokyo), FAD, VAD, FreeWaves.org, The Museum of New Art (MONA, Detroit), Art Tech Media 2010, FILE 2007-2011, Blackbird,
    Drunken Boat, IDEAS, New River Journal, Hallwalls Contemporary Arts Center, and elsewhere.

    Recently, in addition to teaching full-time at Medaille College, he was a visiting online lecturer in Creative Writing and New Media at De Montfort University, UK.

    You can see Alan Bigelow's work at http://www.webyarns.com.

    Eric Dean Rasmussen - 18.02.2011 - 19:12

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