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Literature in Digital Culture: Pedagogical Possibilities
Literature in Digital Culture: Pedagogical Possibilities
Eric Dean Rasmussen - 06.04.2011 - 11:58
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Alphabet on the Move: Digital Poetry and the Realm of Language
Alphabet on the Move: Digital Poetry and the Realm of Language
Eric Dean Rasmussen - 06.04.2011 - 12:07
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Every Rendition on A Broken Machine
Ross Sutherland finds the perfect poetic match in his robot collaborator: the SYSTRAN translator
Theodoros Chiotis - 15.04.2011 - 23:13
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Stress Fractures: Essays on poetry
Stress Fractures: Essays on poetry
Theodoros Chiotis - 15.04.2011 - 23:15
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These terabytes I have tries to shore against our ruins: Digital poetics, the modernist project and modes of cognition
These terabytes I have tries to shore against our ruins: Digital poetics, the modernist project and modes of cognition
Theodoros Chiotis - 15.04.2011 - 23:24
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Walk This Way: Mobile Narrative as Composed Experience
Raley examines mobile narratives, contrasting narratives that are simply narratives that are delivered to mobile phones, such as Japanese cell phone novels, with narrative experiences that are specific to their medial situation. That is "narrative that emphasizes the exploration of place and locality but is not strictly annotative." Rayley identifies three key terms of GPS and SMS-based narrative practice: experience, movement, and environment. Rita sees the participant in a mobile narrative as playing a function in the Nelsonian hypertext sense of branching, "performing on request." Having established a categorical frame, Raley reads a number of locative narratives including Hundekopf, Itinerant, Ping, and 34N188W.
Scott Rettberg - 18.04.2011 - 11:49
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Understanding New Media Art Through Close Reading. Four Remarks on Digital Hermeneutics
With the increasing importance of digital media in all areas of social and cultural life, it is necessary to define a conceptual framework for understanding the social changes it generates. This implies to introduce students and readers to the new methods of critically interacting with media in digital culture. Conference presentations and publications develop the theoretical background and methods needed in scholarship and education to approach the new topics. At various universities, scholars discuss the consequences of such developments under the umbrella terms of digital literacy, digital humanities, or “electracy.” Nevertheless, scholars also must concentrate on the aesthetic aspects of digital media, investigating in new artistic genres emerging from or changes in existing genres brought about by digital media.
Patricia Tomaszek - 06.05.2011 - 14:31
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The Monstrous Book and the Manufactured Body in the Late Age of Print
The Monstrous Book and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s VAS: An Opera in Flatland
Patricia Tomaszek - 06.05.2011 - 14:51
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(Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review
(Re-)Reading Moving Letters: Love Notes, Codes and Digital Curtains: A Review
Patricia Tomaszek - 06.05.2011 - 19:29
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Machinic minds and posthuman bodies: the complexities of intimacy in three electronic works by Shelley Jackson
In her three electronic works, Shelley Jackson exacerbates the tension between self-writing and the diffraction of subjectivity, as she engages with a more explicit autobiographic form. Shifting from hyperfiction in Patchwork Girl (1995) to a fictionalized exercise in remembering through the scrutiny of her body parts in My Body & A Wunderkammer (1997), she eventually explores a pseudo-historiographic and documentary approach of the games she used to play with her sister in The Doll Games (2001), a work closer to an online family album of sorts. The present article purports to interrogate the preservation of the intimate in a context of public self-exposure through an archival electronic medium.
Jill Walker Rettberg - 22.05.2011 - 13:30
