Search

The search found 148 results in 1.199 seconds.

Search results

1. Making the World Safe for Fashionable Philosophy!

   A discussion of the film, The Matrix in the context of the future of books, the aestheticization of coding, and the insistence of the analog.  Appears online in CTheory and in Life in the Wires: The CTheory Reader. 

   Joe Milutis - 22.01.2012 - 20:58

2. Electronic Poetics

   Electronic Poetics

   Elisabeth Nesheim - 03.02.2012 - 14:52

3. “It’s Not That, It’s Not That, It’s Not That”: Reading Digital Poetry

   "I’m attracted to the openness of interpretation and creation in digital poetry.  With such digital poems as Annie Abrahams “Being Human” and Maria Mencia’s “Birds Singing Other Birds Songs” it’s now commonplace to declare that we cannot say for sure whether these poems are poems, whether the poets are poets.  We cannot even say who is poet and who is machine, who is reader and who is writer let alone what the poem means. We certainly cannot say how to judge these poems, where they fit in relation to literary studies.  I should also say, though, that I dread this openness it at the same time as I’m attracted to it--this struggle to overcome an attachment to sure-footedness, to turn away from the safety of a backward-looking study of what’s been sanctioned as history, and emerge into new modes of relation."
   

   Source: cited from the introduction to the presentation
   

   Patricia Tomaszek - 03.02.2012 - 16:54

4. Bridge Work

   A review of Stephanie Strickland's V: WaveSon.nets/Losing L'una.

   Eric Dean Rasmussen - 03.02.2012 - 16:55

5. Our Ailing Educational Institutions

   Our Ailing Educational Institutions

   Eric Dean Rasmussen - 15.02.2012 - 12:14

6. Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World

   This PhD dissertation is about works in which the user is a character in a fictional world, and the interaction that such works allow. What happens when you become a character in the story you're reading?

   The concept "ontological interaction" is proposed, which is a form of interaction where the user is included in the fictional world. Kendall Walton's concept of fictional worlds is explored in relation to electronic literature and digital art, and other narratological concepts are also examined, in addition to a general focus on the themes of force and control.

   Jill Walker Rettberg - 01.03.2012 - 11:27

7. Computerpoesie: Studien zur Modifikation poetischer Texte durch den Computer

   The conception and realisation of computerised poetry is based on a computer’s inherent qualities and characteristics. Resulting works are hybrid, multimedia and interactive texts comprising typeface, image and sound; they can neither be printed on paper nor viewed without a computer, or to be more precise, an electronic apparatus (holography, monitor, virtual reality). This study explores the historical origins of electronic poetry and, on the basis of the switch from paper to computer, analyses the significance these fundamental shifts have had on the aesthetic interaction of language and text: Typeface starts to move and in this way challenges the poetic production and our perception. (Source: http://www.saskia-reither.de/?p=374&lang=en)

   Jörgen Schäfer - 06.03.2012 - 13:44

8. Reading the Illegible

   Reading the Illegible

   Meri Alexandra Raita - 19.03.2012 - 15:21

9. text, time, typography

   This issue of Poems that Go features work which continues in the tradition of typographical experimentation--this time on the Web.

   (Source: journal introduction)

   Meri Alexandra Raita - 20.03.2012 - 15:04

10. The Six Elements and the Causal Relations Among Them

    The Six Elements and the Causal Relations Among Them

    Patricia Tomaszek - 13.04.2012 - 15:56

Pages