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1. #ELRPROMO: “Other Codes / Cóid Eile: Digital Literature in Context”

   This is the first interview of a series called Electronic Literature Review Promotion. These interviews are published one month before the event takes place.

   Daniele Giampà - 07.04.2018 - 16:36

2. Labs for the Digital Humanities

   A presentation by Piotr Marecki of UBU lab at Jagellionian University, and a discussion of different lab models for e-lit and digital culture.

   Scott Rettberg - 01.05.2018 - 23:38

3. Academy as Network

   Guest lecturer by Greg Niemeyer at the University of Bergen, May 02, 2018. As the University of Bergen develops a new strategy to become a leader in innovative approaches to digital media and culture, the Berkeley Center for New Media provides a compelling model of cross-campus engagement.

   The University of Bergen program in Digital Culture, the departments of Media, Art, Design, and Media City Bergen are pleased to welcome Greg Niemeyer, the co-founder of the Berkeley Center for New Media, to UiB. Professor Niemeyer will give a presentation on BCNM's innovative interdisciplinary approach to critical and artistic engagement with new media.

   Scott Rettberg - 02.05.2018 - 23:24

4. La littérature numérique francophone : enjeux théoriques et pratiques pour l’identification d’un corpus

   La littérature numérique francophone : enjeux théoriques et pratiques pour l’identification d’un corpus

   Hannah Ackermans - 03.10.2018 - 10:41

5. Introduction (What (in the World) Was Postmodernism)

   Introduction (What (in the World) Was Postmodernism)

   Yvanne Michéle Louise Kerignard - 17.09.2019 - 14:41

6. Sound and queer affirmative space in augmented reality

   Despite the burgeoning interest in the creation of imaginative spaces in AR and VR, very little focus has been given to sound. This paper borrows aspects of cinema studies and cultural geography to argue that sound can create a discursive environment and a queer space in Augmented Reality (AR). Referring to Michel Chion’s Audio-vision (1990), and Steven Shaviro’s Post-cinematic affect (2010), I explore how the assemblage of aural, visual and haptic in AR pieces, such as Caitlin Fisher’s ‘Chez moi’ (2014), create what Lev Manovich (2001) calls ‘hybrid spaces’, spaces visually disjointed but semantically connected. In ‘Chez moi’, Fisher invites the viewer to put on their headphones and watch the video on their smartphone while walking down Hayden street in Toronto, where the lesbian bar Chez moi was located when Fisher was a teenager. The audiovisual piece augment the physical reality of the viewer through a montage of various media forms, such as Fisher’s voice over, images of news reports, and fictitious audio and images.

   Vian Rasheed - 12.11.2019 - 03:21

7. Exploring Digital Culture: why Tool Matters

   The research community of electronic literature is exercising more and more influence in the field of digital culture and there is a growing body of research on the literary, computational, and cultural aspects of born-digital writing, but research into the specific impact of platforms on the production of digital writing has been very limited and often relegated to a peripheric rank. However, platforms play an essential role in shaping the genres and practices of electronic literature that needs to be investigated more deeply to develop better understanding of how our tools and machines shape digital culture. My talk has the objective to reflect the importance of the interface in literary production. At the border of technology and literature, where format and content matter, what is the status of the tool in the creation of works of electronic literature? I will recall the principle that electronic literature is subordinate to the tools it uses and will demonstrate how coding participates in the recognition in the field of digital humanities.

   Vian Rasheed - 18.11.2019 - 15:47

8. Addressing Significant Societal Challenges Through Critical Digital Media

   Roderick Coover and Scott Rettberg reflect on the cultural values, political debates, power structures and architectures of exploitation underlying much of contemporary digital culture. As digital artists and collaborators, they also identify aesthetic reactions that actually combat what they critique. But for this to happen, we need literary works that are themselves produced, and actively circulating within digital environments.

   Hannah Ackermans - 07.09.2020 - 15:44

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