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1. Tekstspill i hypertekst. Koherensopplevelse og sjangergjenkjennelse i lesing av multimodale hyperfiksjoner

   English translation of title: Textual interplay in hypertext. The experience of cohesion and the regonition of genre in multimodal hyperfictions. The dissertation provides a discussion of electronic literature in general, with two in depth analyses of Megan Heyward's "I am a Singer" and of Anne Bang-Steinsvik's "I mellom tiden".

   Scott Rettberg - 26.06.2013 - 13:40

2. What you click is what you get? - Die Stellung von Autoren und Lesern in interaktiver digitaler Literatur

   What you click is what you get? - Die Stellung von Autoren und Lesern in interaktiver digitaler Literatur

   Patricia Tomaszek - 28.06.2013 - 16:35

3. Literatur auf dem Rechner

   Im Zentrum dieser literaturwissenschaftlichen Studie stehen computerbasierteLiteratur und algorithmisch generierte Texte. Ausgangspunkt ist das offensicht-liche Ungenügen literatur– aber auch medienwissenschaftlicher Kategorien fürdie Klassifikation und Analyse dieses Gegenstandsbereichs.Die leitende These ist, daß die einschlägigen Methoden und Theorien we-sentlich aber weitgehend unreflektiert auf eine bestimmte Medientechnikre-kurrieren: das gebundene Buch. Dementsprechend setzt diese Arbeit die in-formatischen Grundbegriffe des Speicherns, Übertragens und Berechnens alsfundamentale Kategorien für die Analyse computerbasierter Texte und Litera-tur zugrunde.Im Kapitel „Funktionen“ werden diese Begriffe technisch expliziert und zuden Funktionen des traditionellen, um das Buch zentrierten Literatursystemsin Beziehung gesetzt. Das Kapitel „Formen“ überprüft die Mächtigkeit dieserDreiteilung für eine formale Kategorisierung einer Reihe ausgewählter Beispie-le. Vorgestellt werden nicht nur aktuelle Hypertexte, sondern auch Literatur–CDs und textgenerierende Programme.

   Patricia Tomaszek - 28.06.2013 - 16:44

4. Digital Poesi. Æstetisk Analyse og det Mediales Rolle i Kunstværkers Kommunikation

   ENGLISH SUMMARY Digital Poetry: Aesthetic analysis and the role ofmediality in the communication of artwork Digital poetry (language-based digital art) is a global, interdisciplinary movement consisting of poets, artists and programmers who study and develop opportunities for programmed writing. Digital poetry combines writing with animation, images and sound. There are moving letters, interaction and autogenerative programming. Some digital poems also consist of actual programming code. Digital poetry can be colourful, expressive, technologically advanced, organic, delicate and minimalistic. The thesis consists of analyses of selected examples of digital poetry and investigates, discusses and demonstrates how digital poetry can be analysed. This results in a wide range of theoretical issues concerning genre and intermediality, media philosophical questions regarding technologies of writing and issues related to programming, materiality, temporality and agency. The thesis is a methodological reflection on which concepts should be applied and what new set of questions should be asked in the analysis of digital poetry and contemporary digital art in a broader sense.

   Patricia Tomaszek - 28.06.2013 - 17:21

5. Raum, Raumsprache und Sprachräume

   Raum, Raumsprache und Sprachräume

   Patricia Tomaszek - 04.07.2013 - 16:42

6. Le récit littéraire interactif. Narrativité et interactivité

   The expression interactive literary narrative applies to a variety of works. In its diversity, the
   interactive literary narrative raises questions on narratives, interactive architecture, multimedia as
   well as on literature. It is because the interactive literary narrative is wrought by tensions that it has
   this questioning and maybe even revealing capacity. This tension is first and foremost that which lies between narrativity and interactivity and which investigates other connections or tensions :
   - with regards to the narrative, the tension between adherence and distance can be characterized by a play on fictionalization and reflexivity;
   - with regards to the interactive architecture, the tension between assistance and control roles can
   manifest itself by a play on loss of grasp,
   - with regards to the multimedia, the tension between a text-based narrative and a multimedia
   narrative can be reached by work on text as a dynamic and polysemiotic object, and also the
   theatralization of interactive objects endowed with behaviour,

   Patricia Tomaszek - 09.07.2013 - 20:19

7. Offene Texte und nicht-lineares Lesen. Hypertext und Textwissenschaft

   Offene Texte und nicht-lineares Lesen. Hypertext und Textwissenschaft

   Scott Rettberg - 20.08.2013 - 10:39

8. Rhetorical Convergence: Earlier Media Influence on Web Media Form

   Rhetorical Convergence: Earlier Media Influence on Web Media Form

   Anders Fagerjord - 20.08.2013 - 10:50

9. A New Media Reading Strategy

   This dissertation addresses the need for a strategy that will help readers new to new media texts interpret such texts. While scholars in multimodal and new media theory posit rubrics that offer ways to understand how designers use the materialities and media found in overtly designed, new media texts (see, e.g,, Wysocki, 2004a), these strategies do not account for how readers have to make meaning from those texts. In this dissertation, I discuss how these theories, such as Lev Manovich’s (2001) five principles for determining the new media potential of texts and Gunther Kress and Theo van Leeuwen’s (2001) four strata of designing multimodal texts, are inadequate to the job of helping readers understand new media from a rhetorical perspective. I also explore how literary theory, specifically Wolfgang Iser’s (1978) description of acts of interpretation, can help audiences understand why readers are often unable to interpret the multiple, unexpected modes of communication used in new media texts.

   Cheryl Ball - 20.08.2013 - 10:52

10. Concrete poetry as a test case for a nominalistic semiotics of verbal art

    Concrete poetry as a test case for a nominalistic semiotics of verbal art

    Alvaro Seica - 27.08.2013 - 14:37

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