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1. The Kitchen

   from the organization´s website:

   The Kitchen is a non-profit, interdisciplinary organization that provides innovative artists working in the media, literary, and performing arts with exhibition and performance opportunities to create and present new work. Using its own extensive history as a resource, the organization identifies, supports, and presents emerging and under-recognized artists who are making significant contributions to their respective fields as well as serves as a safe space for more established artists to take unusual creative risks.

   The Kitchen has been a powerful force in shaping the cultural landscape of this country for more than three decades. Founded as an artist collective in 1971 by Woody and Steina Vasulka and incorporated as a non-profit two years later, in its infancy The Kitchen was a space where video artists and experimental composers and performers could share their ideas with like-minded colleagues. It thus was among the very first American institutions to embrace the then emergent fields of video and performance art, while also presenting new visionary work within the fields of dance, music, literature, and film.

   Patricia Tomaszek - 12.12.2011 - 20:08

2. DHCommons

   DHCommons, an initiative of centerNet, is an online hub focused on matching digital humanities projects seeking assistance with scholars interested in project collaboration. This hub responds to a pressing and demonstrable need for a project-collaborator matching service that will allow scholars interested in DH to enter the field by joining an existing project as well as make existing projects more sustainable by drawing in new, well-matched participants. Additionally, DHCommons helps break down the siloization of an emerging field by connecting collaborators across institutions, a particularly acute need for solo practitioners and those without access to a digital humanities center.

   Eric Dean Rasmussen - 17.01.2012 - 10:58

3. Getting Started in the Digital Humanities with DHCommons

   Digital methodologies and new media are changing the landscape of research and teaching in modern languages and literatures. Scholars can now computationally analyze entire corpora of texts or preserve and share materials through digital archives. Students can engage in authentic applied research linking text to place, or study Shakespeare in a virtual Globe Theater. In the face of all the digital humanities buzz--from the MLA to the New York Times to Twitter--where can scholars interested in the field turn to get started? This three-hour preconvention workshop welcomes language and literature scholars who wish to learn about, start, or join digital scholarly projects for research and/or teaching. Representatives of major digital humanities projects and initiatives will share their expertise on project design, available resources and opportunities, lead small-group training sessions on technologies and skills to help participants get started, and be available for follow-up one-on-one consultations later in the day.

   Eric Dean Rasmussen - 17.01.2012 - 11:06

4. University of Bergen, Department of Humanistic Informatics

   Note: See University of Bergen, Program in Digital Culture.

   Eric Dean Rasmussen - 02.02.2012 - 14:15

5. Public Override Void

   A vault installation featuring Jim Carpenter's Electronic Text Composition (ETC).

   Patricia Tomaszek - 03.02.2012 - 14:04

6. MACHINE reading series

   In a series of events between 2004-2007, MACHINE showcased the literary uses of the computer. Poets, fiction writers, and others have been combining the networked and computational capabilities of digital machines with the workings of literature to produce new sorts of writing that exists online and on-screen: writing that plays on the context of the Internet, requires interaction and input from the reader, and brings many different media together in new ways. MACHINE, was a series co-sponsored by the Electronic Literature Organization in which writers of electronic literature came to the Kelly Writers House to read from and demonstrate their work, and to discuss the literary uses of the computer with area writers and members of the Penn community.

   Members of the MACHINE Team: Charles Bernstein, Jim Carpenter, Cecilia Corrigan, Steve McLaughlin, Nick Montfort, and Catherine Turcich-Kealey.

   Patricia Tomaszek - 03.02.2012 - 14:46

7. New Directions in Digital Poetry Launch Party

   A celebration of Chris Funkhouser's New Directions in Digital Poetry, featuring presentations by Francisco J. Ricardo, editor of the Continuum book series, "International Texts in Critical Media Aesthetics," in which Funkhouser's book appeared, and other e-lit figures including John Cayley, Angela Ferraiolo, Mary Flanagan, Alan Sondheim, Stephanie Strickland, and others.

   Sound recordings are available from PennSound:

   http://writing.upenn.edu/pennsound/x/Funkhouser-New-Directions-2012.php

   Patricia Tomaszek - 05.02.2012 - 12:43

8. The Bowery Poetry Club

   As a poetry performance place, The Bowery Poetry Club (BPC) presents readings of established and upcoming artists since 2002 (founded by Bob Holman who is known for bringing the Poetry Slam to New York). In the past, the BPC also hosted a number of readings by e-lit artists that usually are screened live online.

   Patricia Tomaszek - 05.02.2012 - 12:46

9. Yale University English Department

   Yale University English Department

   Meri Alexandra Raita - 03.03.2012 - 18:39

10. MS in Publishing Program, University of Houston-Victoria

    The MS in Publishing Program offers you the unique opportunity to learn the histories, concepts, and practices of publishing, from writing and editing to design, production, promotion, and distribution. The program integrates literary and cultural studies with practical skills that reflect the dynamic technological changes within the publishing industry. UHV supports an online community where students participate in distance learning through lectures, critiques, meetings and interactive projects. Students may complete undergraduate and graduate degree requirements completely online or in combination with courses on campus.

    UHV is the home of American Book Review, Cuneiform Press, Fiction Collective Two, The Society for Critical Exchange, and symplokē. Working under the guidance of our nationally recognized faculty, you will explore acquisitions, book and magazine design, professional editing, publicity, marketing, and become familar with cutting-edge software such as InDesign, Illustrator, and FontLab.

    Eric Dean Rasmussen - 09.03.2012 - 18:00

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