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1. Hyperizons: Hypertext Fiction

   This is a collection that documents the "hypertext fiction activity" between 1995-1997.

   Among its features are:

   • Approximately 230 citations to electronic fiction, its print precursors, and criticism
   • Approximately 100 annotated citations for selected works
   • Individual bibliographies of selected authors
   • Announcements about the field and links to related sites of interest

   Source: Michael Shumate (resume)

   The page was last updated in 1997 and disappeared from the Web shorty after this record was created with a link to an active site in August 2013 (PT).

   Patricia Tomaszek - 30.08.2013 - 18:13

2. An ABC of Contemporary Reading

   An ABC of Contemporary Reading

   Alvaro Seica - 03.12.2013 - 09:59

3. Littérature et Informatique: La Littérature Générée par Ordinateur

   Littérature et Informatique: La Littérature Générée par Ordinateur

   Alvaro Seica - 06.12.2013 - 11:46

4. Sintext: Un Générateur de Textes Littéraires

   Sintext: Un Générateur de Textes Littéraires

   Alvaro Seica - 06.12.2013 - 13:01

5. There is No Software

   There is No Software

   Scott Rettberg - 22.08.2014 - 10:46

6. alire 9

   alire 9

   Jonathan Baillehache - 10.09.2014 - 19:55

7. Sleepless in Seattle

   First, IN.S.OMNIA operates from the premise that the domain of literature as such is no longer in synch with cultural experience in contemporary America. Rather than “look for ‘the next big thing’ in literature,” IN.S.OMNIA asks, “What if the next big thing already surrounds us, embedded in small gestures we perform every day? What if the next big thing is the realization that we have changed the way we use culture - remapping, rewiring, renetworking the same old pool of elements in new ways, adding to them furtive scribbles, seeking pleasures without naming them?

   tye042 - 25.09.2017 - 15:45

8. Cyberinthian Ways

   Linda Brigham hypercontextualizes contemporary philosophy.

   Although a hard-copy book and a hypertext essay hardly present us with apples and oranges, this particular pair troubles the work of comparison. This trouble is not simply a matter of form. Content-wise as well, Arkady Plotnitsky’s interdisciplinary exploration of poststructural metaphysics (or “meta-physics”) and David Kolb’s meditation on the textuality of philosophy relate to each other in a fashion at once too intimate and divergent. Like Blake’s Clod and Pebble from the Songs of Experience, they are contraries, or, to pick up the theme, “complementary.” As Blake would insist, though, it is through such contraries that progress happens.

    

   tye042 - 26.09.2017 - 10:38

9. ebr version 1.0: Winter 1995/96

   To introduce an electronic
   book
   review, in the very medium that is reducing book technology to a
   museum piece, is to confront some of the more persistent cultural
   contradictions of the past few decades. This is the late age of print
   we’re in, when all the books worth saving are being scanned into digital
   archives, and the very conception of the book as a fixed object is
   giving way to the hyperreality of letters floating on a screen. For
   those writers who are committed to working in the new electronic
   environments, such a “review” might better be named a “retrospective,” a
   mere scholarly commemoration of a phenomenon that is passing. “The death
   of books” has spawned a rather lively academic discourse of its own,
   following in the wake of post-history, post-structuralism,
   post-feminism, and the various postmodernisms that have worked to
   undercut the authority of original authorship. The argument has been
   made that technological change represents a happy “convergence” with
   developments in literary theory; yet new technologies and media of

   Ole Samdal - 24.10.2017 - 15:57

10. Notes From the Digital Overground

    Mark Amerika on establishing an electronic publishing network in the no-man’s land between the commercial, the academic, and the underground.

    (Source: EBR)

    Filip Falk - 15.12.2017 - 17:41

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