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  1. Poesia Experimental e Ciberliteratura: por uma literatura marginal izada?

    Rompendo com “a literatura dominante, oficial, consagrada, académica e mesmo clássica”, a poesia experimental (concreta, visual, sonora ou cibernética) não peca por “menos estruturação, menos elaboração estética, menos conceptualização, ou menos ambição cultural”. Mas parece ser, continuando a adaptar a proposta de Arnaldo Saraiva ao assunto de que nos ocupamos, marginalizada por razões de “ideologia literária” e de “economia do mercado editorial”. Na verdade, mais do que uma literatura marginal, a poesia experimental tem sido uma literatura marginalizada: pela cultura literária, pois o experimentalismo promove “o desrespeito das leis clássicas, a novidade nas técnicas ou nos motivos, a contaminação dos géneros, (...) a complicação estrutural”; e pelo marketing literário, pois este não consegue compartimentar, nos formatos convencionados pelo mercado, poesia que vai sendo publicada em folhetos, catálogos, registos de acontecimentos, graffitis, fotocópias, objectos, jardins, CD-ROMs, na Internet ou em outros espaços virtuais e artificiais.

    (Source: Author's Abstract)

    Alvaro Seica - 11.09.2013 - 09:57

  2. Mapping a Web of Words

    An amalgamation of a series of lectures presented at Acadia University, Dalhousie Art Gallery and the Nova Scotia College of Art and Design, tracing the influence and use of maps in the web-based works of J. R. Carpenter.

    J. R. Carpenter - 28.09.2013 - 16:03

  3. Literatura digital en español

    Literatura digital en español

    Dolores Romero - 08.10.2013 - 23:05

  4. Polish Digital Literature. An Introduction

    Polish digital literature has a rich tradition to build on: from Polish experimental literature to avant-guarde filmmakers associated with Warsztat Formy Filmowej (Film Form Workszop) of the 1970s, including Bruszewski and the Oscar winner Rybczyński. Other precursor phenomena include Jan Potocki's “Rękopis znaleziony w Saragossie”, interwar avant-garde and the work of concretist artists like Stanisław Dróżdż. Poland's contribution to the developemnt of world hyperfiction was the notion of sylwa (from the latin silva rerum), "a form more capacious”, very popular in XX century literature. The description of this form by Czesław Miłosz inspired Michael Joyce to write an essay on this subject. Polish digital literature develops alongside the phenomenon of liberature, which, since its beginnings in 1999, influences our understanding of the digital medium. A rather isolated position on the international scene and a separate, unique historical background contribute to the distinctiveness of Polish digital literature.

    Patricia Tomaszek - 16.10.2013 - 13:16

  5. Animated Concrete Poetry Between Stillness and Motion - a Close-Up on Ottar Ormstad's Oeuvre of Works

    Throughout the last seven years, Ormstad experimented with both moving images and letters, conceived narratives, and styles that according to him reflect a continuum of the printed work he created in the 60’s. If the continuum also holds true for concrete poetry and poetry-films in general is a question addressed in my talk.

    Patricia Tomaszek - 19.11.2013 - 13:46

  6. From Print to Kinetic Visual Poetry

    In this presentation I use Ottar Ormstad’s works as an example to discuss the productive relationship between concrete poetry and film-production and demonstrate how Ormstad’s print-based work intrinsically implies motion.

    Patricia Tomaszek - 27.03.2014 - 15:27

  7. Um Feixe Luminoso: Uma Leitura da Colecção de Literatura Electrónica Portuguesa

    A Colecção de Literatura Electrónica Portuguesa, na base de dados ELMCIP, pretende abordar e recolher as obras criativas e teóricas mais relevantes produzidas por autores portugueses no campo da literatura electrónica, durante os últimos quarenta e cinco anos. A colecção agrega também autores, eventos, organizações, editoras, periódicos, publicações, conferências, performances, instalações e exposições que estejam relacionadas com o contexto português.

    Álvaro Seiça fez uma palestra no dia 25 de junho de 2014, pelas 15h00, na Sala Ferreira Lima (6º piso, Faculdade de Letras da Universidade de Coimbra), intitulada «Um Feixe Luminoso: Uma Leitura da Colecção de Literatura Electrónica Portuguesa». Nesta palestra foi apresentada a Colecção de Literatura Electrónica Portuguesa que integra a base de dados ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice, projecto coordenado por Scott Rettberg). Esta iniciativa é uma organização do Programa de Doutoramento em Materialidades da Literatura (Programa Doutoral FCT), em colaboração com o Programa de Cultura Digital da Universidade de Bergen.

    Alvaro Seica - 16.09.2014 - 13:19

  8. waxweb, dispositif multimodal et transtemporel

    waxweb, dispositif multimodal et transtemporel

    Luc Dall'Armellina - 10.10.2014 - 15:33

  9. Trust, representation and use of storytelling in online scams

    Andreas Zingerle, from the University of Linz, visited Digital Culture at the University of Bergen on an Erasmus teacher exchange in week 8 of 2015. Zingerle presented his research on February 16 and also gave a workshop on February 18.

    Zingerle writes:

    My work focuses on human computer and computer mediated human-human interaction with a special interest in transmedia and interactive storytelling. Since 2010 I collaborate with Linda Kronman as the artist group 'kairus.org'. We have worked with the thematic of internet fraud and online scams, constantly shifting our focus and therefore approaching the theme from a number of perspectives like: data security, ethics of vigilante communities, narratives of scam e-mails, scam & technologies. Research subjects are online scammers, vigilante communities of scambaiters and their use of storytelling and technology.

    Alvaro Seica - 17.02.2015 - 14:46

  10. Critical Play & Responsible Design

    Critical Play & Responsible Design

    Alvaro Seica - 18.06.2015 - 13:19

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