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  1. Simians. Cyborgs and Women: The Reinvention of Nature.

    Simians, Cyborgs and Women is a powerful collection of ten essays written between 1978 and 1989. Although on the surface, simians, cyborgs and women may seem an odd threesome, Haraway describes their profound link as "creatures" which have had a great destabilizing place in Western evolutionary technology and biology. Throughout this book, Haraway analyzes accounts, narratives, and stories of the creation of nature, living organisms, and cyborgs. At once a social reality and a science fiction, the cyborg--a hybrid of organism and machine--represents transgressed boundaries and intense fusions of the nature/culture split. By providing an escape from rigid dualisms, the cyborg exists in a post-gender world, and as such holds immense possibilities for modern feminists. Haraway's recent book, Primate Visions, has been called "outstanding," "original," and "brilliant," by leading scholars in the field. 

     

    Maya Zalbidea - 22.08.2013 - 20:11

  2. alire 4

    Le numéro 4 d'alire fut d' abord publié par le groupe L.A.I.R.E. en février 1991 sur minidisquette. Il fut ensuite porté en 1994 par Mots-Voir sur une nouvelle édition minidisquette. En 1995, Mots-Voir a porté ce numéro sur l'anthologie CD-ROM "Salon de Lecture Électronique" avec d'autres numéror d'alire.

    Jonathan Baillehache - 10.09.2014 - 19:26

  3. alire 5

    Le numéro 5 d'alire fut d' abord publié par le groupe L.A.I.R.E. en Décembre 1991 sur minidisquette. Il fut ensuite porté en 1994 par Mots-Voir sur une nouvelle édition minidisquette. En 1995, Mots-Voir a porté ce numéro sur l'anthologie CD-ROM "Salon de Lecture Électronique" avec d'autres numéror d'alire.

    Jonathan Baillehache - 10.09.2014 - 19:29

  4. Poetics of the Literary Self-Portrait

    The literary self-portrait is a genre struggling with its own identity and its place in the general body of Western literature. Contributors to this particular literary form include St. Augustine, Bacon, Montaigne, Rousseau, Nietzsche, and Barthes; the works, according to author Michel Beaujour, do not know how to designate themselves. Are they a valid form of written communication or are they a solipsistic exercise of little use to the reading community? Is the self-portrait merely a form of autobiography? Beaujour considers these questions and explores the self-portrait in careful detail, tracing its development from the Confessions, to the Essais, to its most recent manifestations in the 20th century.

    Pål Alvsaker - 12.09.2017 - 15:02

  5. What was Postmodernism

    What was Postmodernism

    Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:30

  6. Topographic Writing: Hypertext and the Electronic Writing Space

    The text dives in to the significance of the function and production of hypertext. Looking at different structures and hierarchy, talking about outline, trees and topography. The text addressee both the perspective of writing as well as reading. Some of the subtitles used are “writing places”, “electronic trees”, “hypermedia”, “The first collaborative hypertext” and “Writers and readers of hypertext”.

    Heidi Haugsdal Kvinge - 26.09.2021 - 20:04

  7. Possible Worlds, Artificial Intelligence, and Narrative Theory

    In this important contribution to narrative theory, Marie-Laure Ryan applies insights from artificial intelligence and the theory of possible worlds to the study of narrative and fiction. For Ryan, the theory of possible worlds provides a more nuanced way of discussing the commonplace notion of a fictional "world," while artificial intelligence contributes to narratology and the theory of fiction directly via its researches into the congnitive processes of texts and automatic story generation.

    (Source: Google books)

    Caroline Tranberg - 28.09.2021 - 01:15

  8. Hypermedia and Literary Studies

    The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts.

    Consider a work from Shakespeare. Imagine, as you read it, being able to call up instantly the Elizabethan usage of a particular word, variant texts for any part of the work, critical commentary, historically relevant facts, or oral interpretations by different sets of actors. This is the sort of richly interconnected, immediately accessible literary universe that can be created by hypertext (electronically linked texts) and hypermedia (the extension of linkages to visual and aural material). The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts. They range from the theory and design of literary hypermedia to reports of actual hypermedia projects from secondary school to university and from educational and scholarly to creative applications in poetry and fiction.

     

    Kine-Lise Madsen Skjeldal - 03.10.2021 - 21:10

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