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1. The Experience of the Unique in Reading Digital Literature

   Traditionally in literary criticism, importance has been laid on the uniqueness of the expression (the author says something that nobody else has said before, or, says something in a way that nobody else has done before) and the uniqueness of experience (my reading of a book is always different compared to any other readings). With digital literature we are facing a wholly new situation. Cybertextual literature possesses devices for creating a different textual whole for each reader and reading session. Even though the piece of computer code underlying the work remains the same, the surface level may be different on each and every run. In this situation the reader may truly face a unique text, something that nobody else may ever see.

   I will ponder the consequences of this new textual condition, especially from the perspective of personal reception and interpretation. I will also present some examples of this sort of works, and classify certain main categories, such as truly unique vs. pseudo unique text, and text where uniqueness is created through programming alone, and such where (one or several) reader(s) is partly responsible.

   Patricia Tomaszek - 12.01.2011 - 20:40

2. Toward a Semiotic Critique of Computer Poetry

   Toward a Semiotic Critique of Computer Poetry

   Patricia Tomaszek - 13.01.2011 - 15:45

3. From Mimetic to Cybernetic

   From Mimetic to Cybernetic

   Patricia Tomaszek - 13.01.2011 - 15:51

4. Orality Writing Vision

   Orality Writing Vision

   Patricia Tomaszek - 13.01.2011 - 17:00

5. E-literature

   E-literature

   Eric Dean Rasmussen - 07.03.2011 - 08:48

6. From ASCII to Cyberspace: A Trajectory in Digital Poetry

   From ASCII to Cyberspace: A Trajectory in Digital Poetry

   Eric Dean Rasmussen - 13.04.2011 - 10:45

7. Introduction à la première partie: Le jeu, comme espace de résistance

   Introduction à la première partie: Le jeu, comme espace de résistance

   Scott Rettberg - 26.04.2011 - 16:05

8. L'art de game design: caracteréristiques de l'expression vidéoludique

   L'art de game design: caracteréristiques de l'expression vidéoludique

   Scott Rettberg - 26.04.2011 - 16:08

9. Du jeu vidéo á l'éctriture hybride du réel. World of Electors ou l'at de la re-médiation

   Du jeu vidéo á l'éctriture hybride du réel. World of Electors ou l'at de la re-médiation

   Scott Rettberg - 26.04.2011 - 16:11

10. De l'espace-temps parfait du jeu à l'esthétique du trouble interactif: engagement, réflexivité et déplacements expressifs

    De l'espace-temps parfait du jeu à l'esthétique du trouble interactif: engagement, réflexivité et déplacements expressifs

    Scott Rettberg - 26.04.2011 - 16:15

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