Search

The search found 47 results in 0.008 seconds.

Search results

1. Conversation

   This suite of three sound poems (or three-part poem) were inspired by Glenn Gould and his experiments with musique concrète. Nelson uses audio recordings of interviews on three topics— injuries, products, and robots— and places them on an interface that allows you to mix 8 clips at different volume levels and audio panning (sending signal to the left or right speakers). This can be used to listen to a single voice or place multiple voices in conversation, adjusting their virtual proximity (volume) and relative position in order to construct a sense of space in which people discuss a topic. Each interface is visually and thematically designed with a different background images, slider knobs, and an animated morphed image. The image above is from “Injury Analysis” and the following two are from “Product Sermon” and “Robot Party.”

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 10.02.2013 - 20:05

2. Eclipse Louisiana

   This hypertext poem makes clever use of HTML in its design to tell the story of a speaker’s associations with a place in in the Louisiana bayou, relationships, and the moon. This piece is designed for a 500 x 500 pixel window and uses the now discontinued frame tag to separate the space into navigation (bottom) and textual (top) frames.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 10.02.2013 - 21:19

3. Chu Ta

   This scheduled poem is built around a quote from James Elkins’ 1999 book, The Domain of Images, in which he analyzes the blurred boundaries between images and writing. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 10.02.2013 - 21:33

4. Aufschreibesysteme Green ghost echo

   This piece is one of those rare examples of e-poems that exhibits the same textual behaviors as a print text— purely static— yet is created through such a creative engagement with the medium that it merits consideration as e-literature. Its visual design is evocative of both programming conventions (particularly the practice of numbering lines of code) and of green monochrome monitors. The numbering of its lines and stanzas, with two notable exceptions, obey a simple formal logic yet add programming texture and structure to the poem. The cluster of 10 lines beginning with “x01,” each of which is divided into four columns breaks the numbering pattern, simultaneously offering a visual structure that could be read as lines or columns. This is framed by two identically numbered 2-line stanzas (010801 & 010802) which contain different texts but are formatted on left and right hand margins of the window.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 10.02.2013 - 21:41

5. Toward a Circulation of the Page

   This kinetic collage poem is built out of text by Soderman and quotes from eight pieces written by theorists and writers whose work reflects upon the nature of writing in spaces other than the printed page. Cut into lines and blocks of text, each of these textual portions are anchored or set adrift in a “page_space” designed by Soderman to allow them to move and rearrange themselves into new textual combinations. In addition to encouraging readers to click on texts to get other quotes from the same source, Soderman places several objects into the space that trigger different events, such as a book that stops the textual movement when clicked. The behaviors triggered by each of the objects remind the readers of how configurable the space for digital writing can be by enacting some of the concepts brought forth by the quoted writers. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 13:34

6. Deseo - Desejo - Desire: 3 Erotic Anipoems

   Three short animated poems about desire, made in Flash.

   Hannelen Leirvåg - 28.02.2013 - 19:41

7. Orbital

   This poem is the result of two creative collaborations: Max Dunlop’s poem “orbital: a postcard to space travel” and Neil Jenkins’ generative engine that creates an entirely different experience of the work. A conceptual link is that of human communication across space. The idea of a postcard is very tied to travel, since they can be sent through a postal service anywhere on the planet to a physical address. This paper-based model of human communication doesn’t work well when people leave the planet, requiring technologies that work with electronic signals. During a time of digital networks, packets are still being sent from one address to another, but they are digital sequences sent to numerical IP addresses, translated into more natural language by DNS servers. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 09.03.2013 - 21:15

8. Program:Møntvask

   A photo- and text mosaic made by the group StadtFlur. The piece illustrates the drop-in washeries of Cobenhagen, through texts of the industries' golden age and downfall and pictures of interior design and the trivial. A booklet (PDF) was part of the project, distributed in a limited edition, to about thirty of the washeries of Cobehagen.

   Sissel Hegvik - 16.04.2013 - 16:19

9. M.M. et brevprojekt

   M.M. is a poetic project on a poem from Moestrups collection Golden Delicious. Moestrup sent the poem to 300 persons with the initials M.M. in and around Copenhagen. She retrieved 57 of them, each writing the original M.M (Selvportræt) poem in their own handwriting. They are now published on Afsnit P and manually in the +Laboratorium.

   Sissel Hegvik - 16.04.2013 - 19:57

10. Exoskeleton

    "A six-legged, pneumatically powered walking machine has been constructed for the body. The locomotor, with either ripple or tripod gait, moves fowards, backwards, sideways and turns on the spot. It can also squat and lift by splaying or contracting its legs.

    The body is positioned on a turn-table, enabling it to rotate about its axis. It has an exoskeleton on its upper body and arms. The left arm is an extended arm with pneumatic manipulator having 11 degrees-of- freedom. It is human-like in form but with additional functions. The fingers open and close , becoming multiple grippers. There is individual flexion of the fingers, with thumb and wrist rotation. The body actuates the walking machine by moving its arms. Different gestures make different motions- a translation of limb to leg motions. The body's arms guide the choreography of the locomotor's movements and thus compose the cacophony of pneumatic and mechanical and sensor modulated sounds."

    (Source: Artist webpage)

    Elisabeth Nesheim - 13.06.2013 - 14:38

Pages