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1. Getting Started in the Digital Humanities with DHCommons

   Digital methodologies and new media are changing the landscape of research and teaching in modern languages and literatures. Scholars can now computationally analyze entire corpora of texts or preserve and share materials through digital archives. Students can engage in authentic applied research linking text to place, or study Shakespeare in a virtual Globe Theater. In the face of all the digital humanities buzz--from the MLA to the New York Times to Twitter--where can scholars interested in the field turn to get started? This three-hour preconvention workshop welcomes language and literature scholars who wish to learn about, start, or join digital scholarly projects for research and/or teaching. Representatives of major digital humanities projects and initiatives will share their expertise on project design, available resources and opportunities, lead small-group training sessions on technologies and skills to help participants get started, and be available for follow-up one-on-one consultations later in the day.

   Eric Dean Rasmussen - 17.01.2012 - 11:06

2. Interrupt II Studio

   In computing, an interrupt (IRQ) is a command sent to the central processor (CPU), demanding its attention and calling for the initiation of a new task. Interrupt 2012 is a three-day international studio celebrating writing and performance in digital media. It will feature readings, performances and screenings, along with Interrupt Discussion Sessions (IRQds), all aimed at investigating the theme of interruption in digital literary art and performance. Events will take place February 10-12, 2012 on the Brown University campus. Interrupt 2012 is organized by graduate and undergraduate students associated with Brown University’s Department of Literary Arts and RISD Digital+Media. As organizers, we are interested in the interruptions that digitally-mediated writing and performance can initiate, as well as in identifying the systematic functions that they can interrupt.

   Eric Dean Rasmussen - 27.01.2012 - 08:58

3. Brown E-Fest 2006: A Celebration of New Literary Hypermedia

   Presentations, performances, and readings at the Literary Arts Program (Brown University), featuring, among others, premieres by students from Brown´s electronic writing courses.

   Patricia Tomaszek - 01.02.2012 - 15:06

4. Public Override Void

   A vault installation featuring Jim Carpenter's Electronic Text Composition (ETC).

   Patricia Tomaszek - 03.02.2012 - 14:04

5. Notes from the underground: experimental screen based works

   "Notes from the underground" is a selection of  screen based (sound and video) works curated by Melissa Delaney. The works were screened at Federation Square, Melbourne throughout 2009 and 2010 with a feature artist each month.

   Elisabeth Nesheim - 03.02.2012 - 14:10

6. Autostart: A Festival of Digital Literature

   Celebrating the release of the Electronic Literature Collection, volume 1 presented by the MACHINE reading series. Conversation about writing and literature in the digital age, featuring poets: Charles Bernstein, Jena Osman, Bob Perelman, Ron Silliman. Workshops, readings, and performances, along with an "Electronic Writing Slam": A time to collaboratively write and to informally discuss forms, techniques, and technologies.

   Source: Festival Website

   Patricia Tomaszek - 03.02.2012 - 14:17

7. MACHINE reading series

   In a series of events between 2004-2007, MACHINE showcased the literary uses of the computer. Poets, fiction writers, and others have been combining the networked and computational capabilities of digital machines with the workings of literature to produce new sorts of writing that exists online and on-screen: writing that plays on the context of the Internet, requires interaction and input from the reader, and brings many different media together in new ways. MACHINE, was a series co-sponsored by the Electronic Literature Organization in which writers of electronic literature came to the Kelly Writers House to read from and demonstrate their work, and to discuss the literary uses of the computer with area writers and members of the Penn community.

   Members of the MACHINE Team: Charles Bernstein, Jim Carpenter, Cecilia Corrigan, Steve McLaughlin, Nick Montfort, and Catherine Turcich-Kealey.

   Patricia Tomaszek - 03.02.2012 - 14:46

8. New Directions in Digital Poetry Launch Party

   A celebration of Chris Funkhouser's New Directions in Digital Poetry, featuring presentations by Francisco J. Ricardo, editor of the Continuum book series, "International Texts in Critical Media Aesthetics," in which Funkhouser's book appeared, and other e-lit figures including John Cayley, Angela Ferraiolo, Mary Flanagan, Alan Sondheim, Stephanie Strickland, and others.

   Sound recordings are available from PennSound:

   http://writing.upenn.edu/pennsound/x/Funkhouser-New-Directions-2012.php

   Patricia Tomaszek - 05.02.2012 - 12:43

9. Remediating Literature

   Remediating Literature

   Scott Rettberg - 06.02.2012 - 15:24

10. Digital Media Poetics Events Series

    Digital Media Poetics Events Series

    Patricia Tomaszek - 14.02.2012 - 22:49

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