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1. E-Formes 1 : Ecritures visuelles sur support numérique

   E-Formes 1 : Ecritures visuelles sur support numérique

   Scott Rettberg - 30.01.2011 - 17:46

2. Literary Art in Digital Performance: Case Studies in New Media Art and Criticism

   Literary Art in Digital Performance examines electronic works of literary art, a category integrating the visual+textual including interactive poetry, narrative computer games, filmic sculpture, projective art, and other works specific to digital media. In recent decades, electronic art's aesthetic has been driven by new algorithmic, randomized, and emergent processes. Although this new art differs from material art or print literature, the rise of popular fascination with new media has neglected signifcant discussion of how technical mediation impacts contemporary art and literature. Presented as a collection of case studies by leading scholars, the book provides a contemporary optic on this art's forms, problems, and possibilities. Each case study is followed by a post-chapter dialogue where the editor engages authors on the foundational aesthetics of new media art and literature.

   Table of Contents

   1. Introduction: Juncture and Form in New Media Criticism, Francisco J. Ricardo

   2. What is and Toward What End do We Read Digital Literature?, Roberto Simanowski Post-Chapter Dialogue, Simanowski and Ricardo

   Eric Dean Rasmussen - 31.01.2011 - 10:01

3. Introduction: Juncture and Form in New Media Criticism

   Introduction: Juncture and Form in New Media Criticism

   Eric Dean Rasmussen - 31.01.2011 - 11:37

4. What is and Toward What End Do We Read Digital Literature?

   What is and Toward What End Do We Read Digital Literature?

   Eric Dean Rasmussen - 31.01.2011 - 11:39

5. List(en)ing Post

   Raley's essay is a careful and descriptive reading of Hansen and Rubin's interactive installation "Listening Post" paying particular attention to complexities of reading a textual work based on live information feeds contributed by an anonymous crowd, a literary work that is perceived as a live embodied experience in a multisensoral "polyattentive" environment.

   Eric Dean Rasmussen - 31.01.2011 - 12:04

6. Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work

   Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work

   Eric Dean Rasmussen - 31.01.2011 - 12:57

7. Reading the Discursive Spaces of Text Rain, Transmodally

   Reading the Discursive Spaces of Text Rain, Transmodally

   Eric Dean Rasmussen - 31.01.2011 - 15:21

8. Kissing the Steak: The Poetry of Text Generators

   Syntext, developed by Pedro Barbosa and Abílio Cavalheiro in the early 90s (later partially re-versioned on the World Wide Web), is a collection of fifteen computer programs from the 70s, 80s, and 90s that automatically generate various styles of poetry in DOS. Though the texts made by each of the programs are thematically unrelated, through these pioneering works by Barbosa, Nanni Balestrini, Marcel Bénabou, and others, each of the predominant fundamental attributes of text-generators is clearly divulged. Syntext, despite being primitive on the surface, powerfully brings to light the expressive possibilities, versatility, and variation within permutation texts, and provides sufficient evidence upon which a typology of computer poems can be established.

   (Source: abstract of conference presentation)

   Eric Dean Rasmussen - 31.01.2011 - 15:28

9. Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics

   Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics

   Eric Dean Rasmussen - 31.01.2011 - 15:35

10. Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

    Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

    Eric Dean Rasmussen - 31.01.2011 - 15:39

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