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1. Enquête Infolipo

   Enquête Infolipo

   Scott Rettberg - 30.01.2013 - 12:00

2. Hommage a E.A. Vigo

   Requires Internet Explorer and Cult3D plugin

   Scott Rettberg - 30.01.2013 - 12:11

3. Peurs / Fears

   Peurs / Fears

   Scott Rettberg - 30.01.2013 - 12:19

4. Chyphertext Performance

   Chyphertext Performance

   Scott Rettberg - 30.01.2013 - 14:32

5. De l'amour

   De l'amour

   Scott Rettberg - 30.01.2013 - 14:37

6. ME

   ME

   Scott Rettberg - 30.01.2013 - 14:45

7. Tibor Papp performance

   Tibor Papp performance

   Scott Rettberg - 30.01.2013 - 15:38

8. I.M.PROMPT.U

   These “12 meditations on propaganda art and Russian communism” make amazingly compressed commentaries on the works it has chosen, particularly in the context of its production constraint of 17 minutes per piece. As an impromptu response from an artist and poet using Flash as a tool, this piece highlights the temporality and visual agility of the dancing signifier. The letters, words, and symbols superposed on the propaganda art feel spontaneous and full of life, questioning, mocking, obscuring, admiring, and engaging the material it dances before. These traces are lenses through which we experience Communist propaganda art, gesturing towards Thuan’s own ideology. At the same time, the contrast between the artistic media and expressive strategies enhances the experience of both, resulting in a work that is more than the sum of its parts. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 02.02.2013 - 12:12

9. Jig-Sound

   A work that explores interactive audio.

   Hannelen Leirvåg - 02.02.2013 - 13:45

10. What They Speak When They Speak to Me

    Originally produced as an installation piece for large touchscreen monitors in 2007, this poem is now available as a free iOS App. The Speak app turns all the letters of the poems into a kind of letter cloud or constellation but with the letters hovering over their relative position. When you touch the screen and drag your fingertip across it, the poetic line is reconstituted from that point onwards, following the trail left by your finger’s movement, and fading back into the cloud when you lift your finger. This allows for readers to experience incomplete lines and incomplete words, depending on where you’ve touched in the sentence. Lewis engages this computational structure in his poem thematically, because it is about miscommunication across language, culture, and identity. The snippets of comprehension one gets when hearing speech in different languages are echoed in the poem’s structure.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 08.02.2013 - 14:42

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