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1. Generador de poemes catalans

   Generador de poemes catalans

   Sandra Hurtado - 07.12.2011 - 17:54

2. Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning.

   ARTIST STATEMENT: Nuclear reactors are built to last for about 30 years. After that, the spent fuel needs to be stored for thousands of years. Zero-fault is unknown in all human endeavours. Culture fissions. Extinction Elegies is about the fragile instability of received meaning at both biological and social levels.

   (Source: Artist's description on the project site)

   Scott Rettberg - 21.01.2012 - 19:04

3. Takei, George

   "Takei, George" is a remix of Nick Montfort's "Taroko Gorge," transforming Montfort's original meditative generative poem into a comment on pop culture, fandom, and contemporary politics.

   (Source: The ELO 2012 Media Art Show)

   Meri Alexandra Raita - 19.02.2012 - 18:14

4. Fred & George

   Fred and George Weasley are the redheaded twins from the Harry Potter series and this poem poses them as lovers, endlessly stroking (etc.) fingers, wands, mouths, etc. and generally engaging in acts considered taboo for siblings in most cultures. This “Taroko Gorge” remix has the distinction of having the shortest data set among the remixes to date, proving that when one wishes to produce an endless poem, size doesn’t matter. More importantly, it concentrates the number of permutations of its elements so while it becomes repetitive sooner, it also takes less time to reach its conceptual climax. (Source: Leonardo Flores, I ♥ E-Poetry)

   Meri Alexandra Raita - 19.02.2012 - 18:19

5. Toy Garbage

   This generative poem re-purposes the code in “Tokyo Garage” and produces a remix of “Taroko Gorge” that is also an inversion of the natural world. As the poem unfolds like an endless stream of Toy Story outtakes (in which toys gain a life of their own when away from the children that own them), but with other older toys, many of which are no longer in circulation. Words like “toxic” remind us of some of the reasons these toys were recalled or discontinued. (Source: Leonardo Flores, I ♥ E-Poetry)

   Meri Alexandra Raita - 23.02.2012 - 14:31

6. Yoko Engorged

   This erotically charged generative poem imagines John Lennon and Yoko Ono engaging in endless sexual exploration. This famous couple was controversially open about sexuality, nudity, and used their celebrity to cut through bourgeois prudishness. After Lennon’s death, Yoko Ono continued with her artistic and musical career, with creative practices associated with the Fluxus movement. For example, this poem uses the “audience volunteer(s)” to reference her famous performance piece titled “Cut Piece” in which audience members cut her clothing with scissors until she was naked on stage. This poem is a bold remix of Nick Montfort’s “Taroko Gorge” code, which started as “began with the rather awful titular play on words and just evolved/devolved from there.” (Source: Leonardo Flores, I ♥ E-Poetry)

   Meri Alexandra Raita - 23.02.2012 - 14:40

7. An American Life In Writing

   An American Life In Writing is a re-contextualization of the words used in the first fifty-two poems of Ted Kooser's column, American Life In Poetry. Each poem is alphabetized and made mobile through the use of Javascript and Cascading Style Sheets. Users are invited to click words within a list, and then to drag them using a mouse in order to (re)organize, score, visually depict, and otherwise create a new work. The code employed in the project allows users to deal in more than one graphic plane by piling language on top of itself and by offering shifts in perspective through an uncommon juxtaposition of words. Side by side, these two curations of language present both the traditional editorial model of print and a newer model based within the decentralized context of networked culture.

   Patrick Sanchez - 18.04.2012 - 00:36

8. He Said, She Said

   This Webyarn frames an argument between husband and wife about having children. The wife wants to keep trying, while the husband doesn’t seem to want children at all. The piece is structured around a wedding: its imagery (cake, dancing, food), vows, institutions, and symbols. The surface of the text responds to the reader’s mouseovers, rewarding exploration by triggering multiple layers of language and musical phrases in short loops. The circularity of the wedding ring structures the poem as the argument goes round and round the topic, replaying sounds, images, words, and their movements. A small cluster of squares slowly gets colored in a non-linear sequence near the bottom of the window, suggesting the passage of time for this relationship, yet the questions continue throughout. Will this disagreement ever get resolved? The Buddhist touches interspersed between mostly Christian wedding vows suggest a way out of the endless cycle: the cause of suffering is craving and both characters have desires they could let go of.

   (Source: Leonardo Flores)

   Eric Dean Rasmussen - 23.04.2012 - 14:23

9. Circle

   “Circle” is an augmented reality tabletop theatre piece that tells the story of three generations of women through a series of small stories. The first version of this piece was created using a custom marker tracking system and the user interacted with the piece by exploring the markers with a webcam, triggering small poetic voiceovers and videos.  The version being premiered here was built in Unity and uses natural feature tracking -- the black and white markers of the earlier version are replaced by objects and photos.  The user interacts with the piece by holding up an iPad or smartphone as a magic looking glass to explore the story world.

   (Source: The ELO 2012 Media Art Show.)

   Winner of the Jury's Choice Award in the ELO 2012 Media Art Show.

   Eric Dean Rasmussen - 23.04.2012 - 14:36

10. Argot, Ogre, OK!

    All of the prior remixes of Nick Montfort's _Taroko Gorge_ rewrote the text, while leaving Nick's code unchanged or almost so. I thought that was a shame. I also thought it was an opportunity! Since they all essentially consisted of word-lists plugged into a schema, I was able to remix them together on two axes at the same time:

    * Combining the word-lists of any two poems;
    * Mutating the stanza schema.

    I also took the opportunity to randomize the color schemes of the pages. (But not the font choices or the background imagery that some of the poems indulged in. Optima for everybody, I'm afraid.)

    Nick's original poem generates a constant ABBA-C pattern, with some extra B's thrown in. This page essentially invents a new pattern (for example A-, or BC-BA, or CCC, or so on) for each block. The code for the pattern is on the left, and the generated output is on the right.

    To answer the obvious question: Yes, this page really does execute the code that's displayed in the left column, and it really does generate the text in the right column.

    Scott Rettberg - 24.06.2012 - 15:09

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