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1. _The_Tem(Cor)p(oral)_Body_

   The _The_Tem(Cor)p(oral)_Body_ Project involves a mash-up of scientific jargon + mezangelled variables to create a aggregated faux scientific manual involving the concept of Temporal_Body_Divorce" [or _TBD_]. This _TBD_ emphasizes exploitation possibilities involved in gradual geophysically/synthetic/space-time disconnections and will manifest in a set of codeworks created on the 01-03 November 2011 + then updated/modified live during the Remediating the Social Event [01-03 November 2012]. The core of the work is the performative act of present/future “time modification[s]” [or timemodding] of mezangelled snippets sent to the author/artist’s future self via the use of futureme.org.

   Elisabeth Nesheim - 27.08.2012 - 11:07

2. Absurd in Public

   The Pictogram project is a commision for the Remediating the Social Conference, and creatively interprets the language of street signage to highlight how communities form spontaneous social codes. The ideal street sign has an unambiguous meaning based on a standard icon. Pictogram signs, on the other hand, depict curious mashups of icons and invite passersby to contribute their own explanation of what the signs represent. The physical pictogram sign consists of two panels, joined at the sides to reference the look of a bound book. One panel includes a Quick-Response (QR) code pointing to a Web site where users can type in their interpretation of the sign’s meaning. Once they have submitted their response, users may read what others have contributed. Throughout the conference, submitted responses may change as attendees are influenced by what others have written. The Pictogram has a real-world and digital-world existence, whose meaning is made and shared somewhere between the two worlds. Street signs manage public space. They tell people how to act: No Parking. They inform of distant places: Hospital 300m.

   Elisabeth Nesheim - 27.08.2012 - 11:19

3. Re:Mix

   This piece is a remix of the performance program presented at Remediating the Social Conference in Edinburgh November 1st 2012.

   Elisabeth Nesheim - 27.08.2012 - 11:24

4. How It Is in Common Tongues

   How It Is in Common Tongues was composed by searching for the text of Samuel Beckett’s How It Is using a universally accessible search engine, attempting to find, in sequence, the longest common phrases from How It Is that were composed by writers or writing machines other than Beckett. These phrases are quoted from a portion of the commons of language that happens to have been indexed by a universally accessible engine.

   John Cayley - 27.10.2012 - 22:38

5. The Image

   A 70-page paperback book, printing successive screen shots of 'The Image' portion of How It Is, as searched by expressive process on Google Images, excluding records tagged with [Samuel] 'Beckett'.

   John Cayley - 27.10.2012 - 23:44

6. A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx

   A crissxross trail < R3/\/\1X\/\/0RX is a meta-remix of the artist's personal creative journey through remixworx, a collaborative online remixing project. Conceived as a poetic interactive infographic with lots of multimedia animated content, this 'scenic route' presents a sample trail of 33 out of the 100 remixes that Christine Wilks (aka crissxross) has created since joining remixworx in January 2007. The trail includes a text commentary about her experience of remixing and co-creating over the past six years. A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx formed the core of Christine Wilks's presentation for the ELMCIP Conference on Remediating the Social in November 2012.

   Christine Wilks - 09.11.2012 - 16:55

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