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1. 2012 Conference for the Electronic Literature Organization to be Held at West Virginia University from June 20-23; Media Art Exhibition Will Feature Work by 55 Artists

   2012 Conference for the Electronic Literature Organization to be Held at West Virginia University from June 20-23; Media Art Exhibition Will Feature Work by 55 Artists

   Scott Rettberg - 31.05.2012 - 12:33

2. After 391: Picabia's early multimedia experiments

   This essay attempts to answer a simple question: why did Francis Picabia stop publishing 391? By October 1924, when the final issue was published, 391 was the longest running magazine related to dada and the burgeoning surrealist movement, and Picabia was well established as one of the premiere avant-gardists in Paris and beyond, with literary, artistic and personal connections to all the major players in the movements that had turned the art world upside down for almost a decade. What caused him to suddenly cease publication of his provocative (but well respected) journal?

   (Source: author's abstract.)

   Chris Joseph - 27.06.2012 - 07:34

3. Computer-Mediated Collaborative Writing

   Many different kinds of works of literature, text works, or text-inclusive performances have been created in computer-mediated collaborative systems, and computer-mediated collaborative writing projects are an integral approach to new media writing. Examples range from a few writers working together with the same authoring system to global telecommunications projects where writers, artists and readers contribute to a work from many nodes around the world.

   Source: Introduction (Narrabase)

   Patricia Tomaszek - 23.08.2012 - 13:45

4. about machine poetry. a manifesto for the destruction of poets

   A manifesto on the polictics of machine poetry, its poetics, and a bit ons its creators.

   Patricia Tomaszek - 09.10.2012 - 23:50

5. One Book, Many Readings: Nostalgia and Finite State Machines

   One Book, Many Readings: Nostalgia and Finite State Machines

   Scott Rettberg - 10.10.2012 - 09:32

6. Way Out of the Box

   Computer people don't understand computers. Oh, they understand the technicalities all right, but they don't understand the possibilities. Most of all, they don't understand that the computer world is entirely built out of artificial, arbitrary constructs. Word processing, spreadsheet, database aren't fundamental, they're just different ideas that different guys have whomped up, ideas that could be totally different in their structure. But these ideas have a plausible air that has set like concrete into a seeming reality. Macintosh and Windows look alike, therefore that must be reality, right? Wrong. Apple and Windows are like Ford and Chevrolet (or perhaps Tweedledum and Tweedledee), who in their co-imitation create a stereo illusion that seems like reality. The computer guys don't understand computers in all their manifold possibilities; they think today's conventions are how things really are, and so that's what they tell all the new victims. So-called "computer literacy" is an illusion: they train you in today's strange conventions and constructs-- (Desktop? This to you looks like a desktop? A vertical desktop?) --and tell you that's what computers really are.

   Luciana Gattass - 24.10.2012 - 15:44

7. MIDIPoet - User's Manual

   The MIDIPoet player is a program that lets you play image/text pieces previously composed using MIDIPoet composer. This manual explains how to use both.
   

   Patricia Tomaszek - 25.10.2012 - 12:52

8. Poética das Hipermídias, uma Escritura Expandida

   As relações humanas, através dos experimentos poéticos das hipermídias, trouxeram novos recortes epistemológicos para a investigação dessas escrituras numéricas. As novas propostas para métodos historiográficos nos fazem rever algumas teorias sobre a linguagem humana não apenas como um sistema de registro da memória da espécie, mas também como um sistema de articulação de signos que vivem em trânsito migratório interdisciplinar no que diz respeito à linguagem como um sistema em expansão, ou escritura expandida.

   Luciana Gattass - 29.11.2012 - 15:51

9. Da poiésis digital de André Vallias

   Talvez seja a poiésis, a raiz primordial da poesia, precisamente, seu mais futuro horizonte. O lado mais promissor na sua inveterada crise com a palavra, que não com o sentido do indizível, já que este é seu moto-perpétuo: inventar sempre uma linguagem para aquilo que não tem (poesia ñ importa o q), ou melhor, criar uma semântica que amplia a linguagem. Sabedor disso, André Vallias prática, há mais de uma década, um grau de exploração poética que se estende mais do que pela multiplicação de campos e gêneros, pela sua estreita interface, pela sua contaminação in crescendo. De tal forma, que toda a sua produção visual – um amplo leque onde haveria que inscrever sites ou trabalhos de encomenda – apresenta uma configuração de vasos comunicantes, tão plurais e multi-direcionais quanto intertextualizadores, onde os códigos de todo tipo (verbais, sonoros, numéricos, espaciais, etc.) se abismam em sua atração comum de poiésis. De abissalidade virtual e conceitual de outra materialidade (softwares, programas, produção computacional), numa progressiva digitalização de informações audiovisuais que fazem parte da nova “ecologia do sensível” (Paul Virilo).

   Luciana Gattass - 29.11.2012 - 16:34

10. Building the Infrastructural Layer: Reading Data Visualization in the Digital Humanities

    Information visualization is a technique for organizing, representing, and interpreting information visually. Information visualizations can take the form of hand-drawn diagrams, popular “infographics,” or interactive, computer-based visualizations. We see examples of information visualizations produced and displayed in myriad contexts, including: the scientific modeling of the Higgs boson particle, the NY Times 2012 presidential election coverage, the popular infographics exhibited at Visual.ly, corporate PowerPoint presentations, public web galleries like Nathan Yau’s Flowing Data or Manuel Lima’s Visual Complexity, Google’s Ngram Viewer, and finally, in humanities research and pedagogy. Examples in the digital humanities include the Stanford Literary Lab’s use of the Gephi visualization platform to map its own academic community, the Software Studies Initiative’s visualization of thousands of cultural media objects like magazines, manga pages, and paintings, as well as Alan Liu’s Research-oriented Social Environment (RoSE) project that incorporates visualization tools directly into the research process.

    Scott Rettberg - 09.01.2013 - 00:47

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