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1. Conceptual art: a critical anthology

   Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians.

   Meri Alexandra Raita - 21.03.2012 - 18:21

2. Gesturing Toward the Visual: Virtual Reality, Hypertext & Embodied Feminist Criticism

   Gesturing Toward the Visual: Virtual Reality, Hypertext & Embodied Feminist Criticism

   Carolyn Guertin - 20.06.2012 - 20:11

3. In the Event of Text

   In the Event of Text

   Eric Dean Rasmussen - 21.06.2012 - 12:39

4. Beobachtung des “ICH”: Zum Zusammenhang von Subjektivität und Medien am Beispiel experimenteller Poesie

   Beobachtung des “ICH”: Zum Zusammenhang von Subjektivität und Medien am Beispiel experimenteller Poesie

   Hannelen Leirvåg - 07.09.2012 - 07:52

5. Way Out of the Box

   Computer people don't understand computers. Oh, they understand the technicalities all right, but they don't understand the possibilities. Most of all, they don't understand that the computer world is entirely built out of artificial, arbitrary constructs. Word processing, spreadsheet, database aren't fundamental, they're just different ideas that different guys have whomped up, ideas that could be totally different in their structure. But these ideas have a plausible air that has set like concrete into a seeming reality. Macintosh and Windows look alike, therefore that must be reality, right? Wrong. Apple and Windows are like Ford and Chevrolet (or perhaps Tweedledum and Tweedledee), who in their co-imitation create a stereo illusion that seems like reality. The computer guys don't understand computers in all their manifold possibilities; they think today's conventions are how things really are, and so that's what they tell all the new victims. So-called "computer literacy" is an illusion: they train you in today's strange conventions and constructs-- (Desktop? This to you looks like a desktop? A vertical desktop?) --and tell you that's what computers really are.

   Luciana Gattass - 24.10.2012 - 15:44

6. MIDIPoet - User's Manual

   The MIDIPoet player is a program that lets you play image/text pieces previously composed using MIDIPoet composer. This manual explains how to use both.
   

   Patricia Tomaszek - 25.10.2012 - 12:52

7. Der Leser als DJ oder was Internetliteratur mit HipHop verbindet

   Der Leser als DJ oder was Internetliteratur mit HipHop verbindet

   Johannes Auer - 05.11.2012 - 14:39

8. Hyperfiction: Hyperliterarisches Lesebuch: Internet und Literatur

   Mit dieser Publikation wird erstmals in deutscher Sprache ein hyperliterarisches Lesebuch mit integrierter CD-ROM vorgelegt, das neben theoretischen Texten auch eine repräsentative Zusammenstellung hyperfiktionaler literarischer Texte enthält. Die CD-ROM enthält 24 ausgewählte Hyperfictions. Die 12 theoretischen Beiträge können in Printform wie auch elektronisch gelesen werden.

   Jörgen Schäfer - 07.11.2012 - 17:21

9. Wen kümmert's wer spinnt? Gedanken zum Lesen und Schreiben im Hypertext

   Wen kümmert's wer spinnt? Gedanken zum Lesen und Schreiben im Hypertext

   Jörgen Schäfer - 07.11.2012 - 17:24

10. "Creamus, ergo sumus": Ansätze zu einer Netzästhetik

    "Creamus, ergo sumus": Ansätze zu einer Netzästhetik

    Jörgen Schäfer - 08.11.2012 - 14:05

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