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Karl-Erik Tallmo
KARL-ERIK TALLMO, Swedish writer, artist, lecturer and publisher of the cultural web magazine The Art Bin. Tallmo was born in 1953 and has written six books, including Sweden's first hypertext novel (1992). He started writing concrete poetry in the 60's while still in high school. His debut as an artist took place at an exhibition in Karlskoga, Sweden, in 1970, with among other pieces a poem in the form of nine glass jars. In the 70's, influenced by musical minimalists such as Terry Riley and Steve Reich, he started to write text permutations and texts that gradually change through repetitive patterns etc. He has also been writing articles and criticism in newspapers and magazines for thirty years. During the 1990's he participated as an expert in governmental investigations on new media in Sweden, and he was also a member of several advisory boards, e.g. at the Royal Library and at the Swedish Research Council.
Source: Tallmo's website
Scott Rettberg - 19.10.2010 - 00:24
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Marte Huke
Marte Huke
Scott Rettberg - 19.10.2010 - 15:38
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Tale Næss
Tale Næss
Scott Rettberg - 19.10.2010 - 15:55
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Monica Aasprong
Norwegian poet, living in Stockholm, who has done some work in concrete and online poetry.
Scott Rettberg - 19.10.2010 - 16:07
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Cia Rinne
Cia Rinne
Scott Rettberg - 19.10.2010 - 16:12
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Vers de nouvelles formes en poésie numérique programmée?
In English:
I intend to illustrate some programmed forms among the most representative one of the
digital poetry of today. They use two important features of the digital medium: dual performative
signs and a semiotic gap between the author and the reader.Bootz Philippe. "About some programmed forms in e-poetry". Conference paper. EPC, SUNY Buffalo, 2006.
In French:
Cet article réalise une synthèse de mes travaux récents et propose, pour l’analyse des formes programmées, de nouveaux critères complémentaires de ceux proposés par ailleurs. La notion de forme programmée se dégage peu à peu des genres apparus en poésie numérique dans les années quatre-vingts Nous discutons les concepts à l’œuvre dans ces formes en insistant sur ceux de technotexte et d’intermédia. Ayant dégagé des axes analytiques performatif, lectoriel et instrumental, nous proposons et classifions quelques formes programmées.
Patricia Tomaszek - 28.10.2010 - 16:52
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Sarah Waterson
Sarah Waterson is a new media artist based in Sydney who experiments wtih data visualization, interspecies communication, and locative art.
Scott Rettberg - 09.12.2010 - 01:03
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Christopher Werby
Christopher Werby is a programmer, photographer, and filmmaker. He has a Juris Doctor degree from Boalt Hall School of Law in Berkeley, Californi
Jill Walker Rettberg - 05.01.2011 - 13:26
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Olga Werby
Olga Werby, Ed.D. is an interface design expert with a doctorate from U.C. Berkeley on Internet-based learning. She has taught interaction design at the American University in Paris, the University of California Berkeley Extension Program, San Francisco State’s Multimedia Studies Program, the Bay Area Video Coalition, and Apple Computers.
Jill Walker Rettberg - 05.01.2011 - 13:27
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Jim Rosenberg
was born in 1947 in Denver, Colorado, USA, and received my undergraduate education at Pomona College and my graduate education at the University of California at Berkeley -- both degrees being in mathematics. My poetry has appeared in several small magazines, including This, Tyuonyi, Interstate, Open Reading, Toothpick, Vort, and BUTTONS. I have performed my poetry at The San Francisco Poetry Center; Intersection, San Francisco; Cody's, Berkeley; St. Mark's Church in the Bowery, New York; The Kitchen, New York; Harvard University sponsored by The Grolier Poetry Bookstore; and numerous conferences. My works for simultaneous voices have been performed by radio stations KPFA Berkeley, WBAI New York, and VPRO Amsterdam; and by the Stanford New Music Ensemble. "Intermittence", a poem for four simultaneous voices and conductor, has been anthologized in Scores: An Anthology of New Music, ed. Roger Johnson, Shirmer Books, 1981. I have constructed the word environments Temporary Poetry 10/73, Les Salons Vides, San Francisco, and Permanent & Temporary Poetry 5/75, The Kitchen, New York.
Patricia Tomaszek - 11.01.2011 - 12:41