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1. Performance and the Digital Text

   Introductory remarks to the ELMCIP Seminar on Digital Text with/in Performance, hosted by University College Falmouth at the Arnolfini, Bristol.

   Eric Dean Rasmussen - 30.04.2012 - 11:12

2. Machinic Performance

   Machinic Performance

   Eric Dean Rasmussen - 30.04.2012 - 11:18

3. Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Eric Dean Rasmussen - 02.05.2012 - 12:04

4. Performance as a Categoriser

   Performance as a Categoriser

   David Prater - 03.05.2012 - 12:57

5. Huis Clos / No Exit

   A work-in-progress presentation of a performance project. Abraham's describes a scripted telematic performance in which constraints and interface limitations fme the performance. She describes her work as performance to do research, and research as a medium and playground. Always an exercise in self-organization--the performances are not directed. The performance is a multilingual one about communication, miscommunication, and translation.

   Scott Rettberg - 04.05.2012 - 12:44

6. konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature

   Interview with Johannes Auer to be published in Concrete Poetry: An International Perspective. Edited by Claus Clüver and Marina Corrêa. (forthcoming)

   Patricia Tomaszek - 19.07.2012 - 13:59

7. Curating the MLA 2012 'Electronic Literature' Exhibit

   What follows is an explanation of the logic underlying this idea of curating the "Electronic Literature" exhibit and a rearticulation of our curatorial statements, viewed now in retrospect. Dene Grigar begins by introducing our underlying views and includes her revised statement for "Works on Desktop." Lori Emerson follows with her statement on "Readings and Performances;" Kathi Inman Berens ends the essay with her statement on "Mobile and Geolocative" works.

   Source: from the article (3)

   Patricia Tomaszek - 28.08.2012 - 22:14

8. Performances Of Writing In The Age Of Digital Transliteration

   SUMMARY

    

   This paper addresses and attempts a reconfiguration of the theory and practice of writing (and/or language art) in networked and programmable media (hereafter, in this abstract, abbreviated as "npm").

   A number of problems provoke the paper's arguments, problems and concerns which arise from the current practice of language art in npm :

   - the problematic (non-)engagement of language artists (poets) with text-making in npm

   - the (non-)engagement of visual, cinematic, audio-visual artists (especially those who are currently working in npm) with practicing language artists

   - the identification of those characteristic of textuality which are proper to npm (this involves a critique of hypertext, when hypertext is seen as a definitive or determinative genre in npm ) and the relationship of these characteristics to demonstrable language art practice

   - the (mis-)assimilation by established literary culture of rhetorical technologies which are emergent in npm.

   Thus, while the paper's arguments are theoretical or expository, there is also an underlying agenda, which might be expressed in a more polemical fashion:

   Jill Walker Rettberg - 15.10.2012 - 14:43

9. O Sujeito-Projeto: Metaperformance e Endoestética

   O Sujeito-Projeto: Metaperformance e Endoestética

   Luciana Gattass - 22.10.2012 - 17:02

10. Upstage

    Upstage

    Scott Rettberg - 04.11.2012 - 12:02

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