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  1. charNG: case study of authoring a poetry generator

    charNG: case study of authoring a poetry generator

    Meri Alexandra Raita - 19.02.2012 - 19:27

  2. Who Grabbed My Gorge

    Who Grabbed My Gorge

    Meri Alexandra Raita - 19.02.2012 - 19:52

  3. Pornosophic Philosophiction Coming Your Way’: interfacing with Mark Amerika’s GRAMMATRON

    Pornosophic Philosophiction Coming Your Way’: interfacing with Mark Amerika’s GRAMMATRON

    Arnaud Regnauld - 05.03.2012 - 14:50

  4. Electricians, Wig Makers, and Staging the New Novel

    Electricians, Wig Makers, and Staging the New Novel

    Eric Dean Rasmussen - 06.03.2012 - 11:32

  5. Aesthetic Animism: Digital Poetry as Ontological Probe

    This thesis is about the poetic edge of language and technology. It inter-relates both computational creation and poetic reception by analysing typographic animation softwares and meditating (speculatively) on a future malleable language that possesses the quality of being (and is implicitly perceived as) alive. As such it is a composite document: a philosophical and practice-based exploration of how computers are transforming literature, an ontological meditation on life and language, and a contribution to software studies. Digital poetry introduces animation, dimensionality and metadata into literary discourse. This necessitates new terminology; an acronym for Textual Audio-Visual Interactivity is proposed: Tavit. Tavits (malleable digital text) are tactile and responsive in ways that emulate living entities. They can possess dimensionality, memory, flocking, kinematics, surface reflectivity, collision detection, and responsiveness to touch, etc…. Life-like tactile tavits involve information that is not only semantic or syntactic, but also audible, imagistic and interactive.

    Patricia Tomaszek - 16.03.2012 - 16:49

  6. Electronic Poetry: Understanding Poetry in the Digital Environment

    This study has as its main research object the new forms of poetry based on informatics and it is located in the fields of critical theory, hermeneutics, semiotics of the text and digital culture.

    These new forms emerging from the meeting of poetry and informatics are collectively called Digital Poetry. Digital poetry – also referred to as E-poetry, short for electronic poetry – refers to a wide range of approaches to poetry that all have in common the prominent and crucial use of computers or digital technologies and other devices. Digital poetry does not concern itself with the digitalization of printed works, it relates to digital texts. This work studies only electronic poems created to be read on the computer accessible online. It offers the close-readings of 35 e-poems in 5 different languages (English, French, Italian, Portuguese, and Spanish).

    Eric Dean Rasmussen - 19.03.2012 - 08:16

  7. Die Literaturkarte als Interface

    Die Literaturkarte als Interface

    Jörgen Schäfer - 22.03.2012 - 11:53

  8. Further, Reading

    English version of article published in Vagant 4/2011 as "E-Lit. Som Litt.-Vit"

    The final column in the "Platform 2" series, offering a survey of important monographs about electronic liiterature.

    Scott Rettberg - 24.03.2012 - 10:35

  9. E-Lit. Som Litt.-Vit.

    The final column in the "Platform 2" series, offering a survey of important monographs about electronic liiterature.

    Scott Rettberg - 24.03.2012 - 11:01

  10. Å lese med fingrene

    En diskusjon av elektronisk litteratur, for barn og voksne, laget for iPad.

    Scott Rettberg - 25.03.2012 - 11:20

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