Search
The search found 151 results in 0.011 seconds.
Search results
-
Cardamom of the Dead
Written in Unity for use with Oculus RIFT glasses, Cardamom of the Dead is a literary VR environment - the user wanders through a virtual environment filled with a vast collection of things a narrator, heard in voice-over, has hoarded over years (decades? centuries?). The environment is filled with debris and stories and the piece is ultimately a meditation on collecting as madness, consoling practice and memory palace.
(Source: ELO 2014 Media Arts Show)
Scott Rettberg - 24.06.2014 - 19:14
-
Special America: The Movie
Special America: The Movie is a film adaptation of the "Poetry Is Special America" iteration of the ongoing project. The movie was filmed at the School of Visual Arts in New York, NY on April 26-27, 2014. Our crew of 14 included Claire Donato & Jeff T. Johnson (Creators & Writers of Special America), Juana Hodari (Director), Amy Bergstein (Producer), Alejandro Veciana (Assistant Director), Alexander Norelli (Art Director), Edward Pages (Director of Photography), plus grips and electricians TBA. As of July 2014, we are in post-production.
clairedonato - 27.06.2014 - 20:42
-
Claire Donato's We Discuss Disgust: Patafeminism Rides The Digital Abject: Cixous, Kristeva, Lispector, Jackson, Hayles, Damon, Lorde, and Others
"Claire Donato's We Discuss Disgust: Patafeminism Rides The Digital Abject: Cixous, Kristeva, Lispector, Jackson, Hayles, Damon, Lorde, and Others" was initially presented at ELO14 as a rhetorical front to conceal Special America Holds the Light. The front was employed prior to Special America's surprise appearance and announcement that it had absorbed the ELO and rebranded the Hold the Light conference as Special America Holds the Light. "We Discuss Disgust" was then folded into Special America's performance. In particular, we incorporated the following description, which had been provided to ELO for the program:
clairedonato - 27.06.2014 - 21:01
-
The TypoLacing Series [Versions_1.0 + 2.0]
TypoLacing is the act of creating poetic alternatives from, and to, mistyped communication. These two works use [as their initial catalysts] easily recognisable phrases that have been mangled via typographical errors or misspellings. Those inital phrases are "Good Luck" and "Legions of Fans". Each work represent the permutations and possibilities inherent in online communicaton that goes awry.
mez breeze - 03.07.2014 - 09:32
-
The Tower of Jezik
Initiated during the 2014 Erasmus intensive program in Digital Literatures, The Tower of Jezik is a hyperfiction intended for teenagers that primarily questions language and its possible inefficiency. Set in an imaginary world which calls medieval times to mind, the reader follows a young boy chasing his cat over the rooftops of his small village. Through a window, the boy sees an old man brewing something in a cauldron and believes he is in fact a wizard about to cast a spell. The old man sees him spying and the boy falls from the window, hits his head and loses consciousness. When he wakes up, he can no longer understand what people are saying and, convinced that the villagers were indeed cursed by a powerful sorcerer, he sets out to find the mythical Tower of Jezik and bring language back to his people. The prototype for Tower of Jezik was originally developed in HTML to be read in web browsers. However, it is currently being remediated in ePub 3 by Émilie Barbier, as part of the Textualités Augmentées workshop at Paris 8 University.
Maya Zalbidea - 27.07.2014 - 20:48
-
Reactivist BullShotting [To Quinn, Quinnify]
A wurk reacting to the "Quinnspiracy" outrage that gripped the Internet in late August 2014.
mez breeze - 02.09.2014 - 07:51
-
Echo[lalia] ChamburrRRrrrrrr[sssszzzzz].....
A wurk reacting to the "Quinnspiracy" outrage that gripped the Internet in late August 2014.
mez breeze - 02.09.2014 - 07:53
-
#CryAndSobForVisualInnocence
A wurk reacting to the leaked celebrity nude photos scandal that gripped the Internet in early September 2014.
mez breeze - 02.09.2014 - 07:55
-
this sea is nothing in sight but isles
Computer-generated text embedded in a code poem based on a portion of the script for live performance of Etheric Ocean, by J. R. Carpenter, 2014.
J. R. Carpenter - 04.10.2014 - 12:44
-
HD pen
HD pour Haute Densité (High Density) mais également pour Harley-Davidson car ma moto est de cette marque, fabriquée à Milwaukee, WI, USA, c'est un modèle Sporster XR 1200 à la géométrie très européenne. C'est sur elle que j'ai filmé un parcours depuis mon domicile (Montreuil) jusqu'au département des cartes anciennes des Archives Nationales (Pierrefitte-sur-Seine). C'est par la vidéo qu'est rendu ce parcours, augmenté, en filigrane, par la lecture (simultanée en français et en anglais) d'un texte venant sampler et discuter celui de Jorge Luis Borges « De la rigueur de la science » dans l'Histoire universelle de l’infamie/Histoire de l’éternité, p. 10-18, Paris (1951, 1994). Dans ce texte l'auteur se livre sous la forme d'une fable, à une réflexion sur le rapport de la carte et du territoire, et pose finalement la question des rapports des arts et des techniques, de la science et du sensible. Je poursuis ici l'idée d'une écriture par le trajet, non déterminé par la nécessité de rejoindre un point donné comme un GPS nous aide à le faire, mais en dessinant sur la carte, des lettres formant quelques mots.
Luc Dall'Armellina - 10.10.2014 - 15:40
