Search
The search found 2 results in 0.013 seconds.
Search results
-
Toward a Circulation of the Page
This kinetic collage poem is built out of text by Soderman and quotes from eight pieces written by theorists and writers whose work reflects upon the nature of writing in spaces other than the printed page. Cut into lines and blocks of text, each of these textual portions are anchored or set adrift in a “page_space” designed by Soderman to allow them to move and rearrange themselves into new textual combinations. In addition to encouraging readers to click on texts to get other quotes from the same source, Soderman places several objects into the space that trigger different events, such as a book that stops the textual movement when clicked. The behaviors triggered by each of the objects remind the readers of how configurable the space for digital writing can be by enacting some of the concepts brought forth by the quoted writers. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 13:34
-
Raphèl
On the Web, Bernardo Schiavetta proposes Raphèl. Raphèl is a multilingual cento, a collage poem of quotations in various languages, which is to be read as the endless commentary of a sentence from the Divine Comedy, an asemantic sentence attributed by Dante to Nimrod, the builder of the Tower of Babel. The basic form of Raphèl is a cyclic stanza of ten lines which can reproduce itself infinitely if the reader clicks on one of its ten linear links and/or ten interlinear links: A click on a line in the left column gives access to its source. A click (precise) on a line spacing gives access to the corresponding stanza at the next level.
Raphèl is thus a poetic hypertext whose very form relies on the hyperlink. As far as Raphèl develops a formal process of proliferation of lines based on the principle of the cento and the crown of sonnets, this "unlimited babelic hyperpoem" is structurally a never ending text.
(Source: Serge Bouchardon, "Digital Literature in France")
Scott Rettberg - 28.06.2013 - 22:19
