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  1. _the data][h!][bleeding texts_

    "_the data][h!][bleeding t.ex][e][ts" are remnants from email performances devoted to the dispersal of writing that has been inspired and mutated according to the dynamics of an active network. The texts make use of the polysemic language system termed mezangelle, which evolved/s from multifarious email exchanges, computer code flavored language, and net iconographs.

    (Source: Author's description from the 2001 Electronic Literature Awards)

    The archived version of Fleshis.tics was sponsored by Create NSW - NSW Government.

    Rita Raley - 05.05.2011 - 23:18

  2. Seedsigns for Philadelpho

    An intermedia elegy, animated in Flash created to mark the passing of Brazilian poet, Philadelpho Menezes (1960-2000). As aND explains in the piece, "I was harvesting the seeds of False Blue Indigo (Baptisia Australis) the day I received news Philadelpho had died." The work reveals a series of letters and words formed from seeds to music.

    Davin Heckman - 03.02.2012 - 11:32

  3. Sonne Ordklip

    "Netudstillingen SONNE ORDKLIP er delt op i 14 serier, hvoraf nogle er tematiske eftevanlige egensindigt encyklopædiske principper, mens andre mere direkte flugter langs et enkelt, gennemgående klip-ord, følgende står fast: DK-KULTUR-SOC, EGO-PSYK, GA, LITT, ZOO, ORD, BØ, BØRN, LIG, UD, SPROG, KUNST, MAD, LYRISK NATUR Det er tekster - eller hvad man nu skal kaldet det - der i deres insisterende overstadige leg med sprogets betydning og visualitet ikke kender deres lige i nyere dansk poesi. Vi skal helt tilbage til de gode, gamle dadaisters collager og montager - Kurt Schwitters’ f.eks. - for at finde konkurrencedygtige paralleller." - http://www.afsnitp.dk/aktuelt/10/sonneordklip.html

    Melissa Lucas - 28.09.2012 - 13:33

  4. Hey Now

    Hey Now is a collaborative experiment in New Media Poetry. It is minimally "interactive", requiring the reader/viewer to click on the pacing man whenever he appears. The piece began as an idea: following the artist Christo's work ("wrapped" objects like Running FenceWrapped Pont Neuf, etc.) -- what would wrapped language look be like? How would it look or sound? Our initial discussions revolved around thinking through the act of wrapping, covering or hiding language; the physical and metaphorical transformation of language while it is wrapped; the final act of unveiling language that has now acquired "full" or "new" meaning because it has been partially hidden.

    Scott Rettberg - 15.01.2013 - 21:20