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1. Recombinant poetics : emergent meaning as examined and explored within a specific generative virtual environment

   Today's innovative poets no longer express their dissenting voice on the printed page but in the experimental realm of contemporary media, where holograms, video projections, and even biotechnology form the basis of a new syntax. Celebrated poet and artist Eduardo Kac's Media Poetry is the first anthology to document this radically new form, which is taking language beyond the confines of verse and into the non-linear world of digital interactivity and hyperlinkage.

   This unparalleled volume takes up all the exhilarating incarnations of media poetry, from real-time text generation and spatiotemporal discontinuities to immateriality and visual tempo, exploring the international group of revolutionary poets responsible for such innovations. By embracing the vast possibilities made available by new media, the artists featured in this anthology have become the poetic pioneers of the next millennium.

   (Source: Publisher's website)

    

   Eric Dean Rasmussen - 03.02.2012 - 16:36

2. Interrupting D : Patchwork Girl’s Syncopated Body

   Interrupting D : Patchwork Girl’s Syncopated Body

   Arnaud Regnauld - 05.03.2012 - 14:56

3. Poetry Goes Intermedia: US-amerikanische Lyrik des 20. und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive

   Poetry Goes Intermedia: US-amerikanische Lyrik des 20. und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive

   Jörgen Schäfer - 06.03.2012 - 13:46

4. Old Wine in New Bottles

   English version of "Gammel vin in nye skinnsekker" published in Norwegian in Vagant 1/2010.

   The article addresses several works of electronic literature which take as their basis print works from other periods: Shelley Jackson's remix of the Frankenstein story in Patchwork Girl, Barry Smylie's new media version of Homer's Illiad, and Chris Ault's play with Jeanette Winterson's Sexing the Cherry in "Hot Air".

   Scott Rettberg - 26.03.2012 - 09:06

5. Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippet

   This critical essay was written for the Prairie Art Gallery catalogue presenting Kate Armstrong's and Michael Tippett's Grafik Dynamo! Its argument, implied in the catalogue version, can be stated explicitly in the present scholarly format, namely that narrative, associated with the development of the modern novel in print, is distinctly unsuited to literary arts produced in and for the electronic medium. Narrative in the Dynamo! is not entirely absent, but its dominance is put into question. The same holds for the place of argumentation in critical writing. The Dynamo! develops episodically, haunted by the comics, and by the popular and literary narratives it samples; the essay develops similarly, in blocks of partly autobiographical, partly analytical text. Propositions emerge not sequentially or through feats of interpretation, but at the moment when a block of text encounters a cited image from the Dynamo!

   Eric Dean Rasmussen - 22.06.2012 - 12:13

6. Poesia Digital: negociações com os processos digitais: teoria, história, antologias

   In "Digital Poetry: Theory, History, Anthologies," Jorge Luiz Antonio presents a panorama of digital poetry history, from its origins, in 1959, until our days with the most advanced and creative innovations. The author shows how the resources of computer science, apparently cool and exact, can give new life to the universe of poetry when taking their producers and appreciators to the other artistic directions inside digital culture. For Jorge Luiz Antonio his Digital Poetry: Theory, History, Anthologies is a book that "studies a type of contemporary poetry in its relationship with the arts, design and computational technology, which is a continuation and an unfolding of avant-garde, concrete, visual, and experimental poetry". According to the Portuguese poet E.M. de Melo e Castro, the work has "clearly the intention and the author's accomplishment of a discussion about the reasons that can be invoked for the study of the transformations that the use of the technologies is already causing in the concept of poetry." (Source: author)

   Luciana Gattass - 04.10.2012 - 17:11

7. Libertando-se da Prisão

   Libertando-se da Prisão

   Luciana Gattass - 18.10.2012 - 12:46

8. O Sujeito-Projeto: Metaperformance e Endoestética

   O Sujeito-Projeto: Metaperformance e Endoestética

   Luciana Gattass - 22.10.2012 - 17:02

9. Fechando a Questão dos Bits: Arte Digital e Propriedade Intelectual

   Fechando a Questão dos Bits: Arte Digital e Propriedade Intelectual

   Luciana Gattass - 22.10.2012 - 17:47

10. Oito Milhões de Pixels em Imagens de Quatro Quilates: 4K

    Oito Milhões de Pixels em Imagens de Quatro Quilates: 4K

    Luciana Gattass - 23.10.2012 - 15:37

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