Search

The search found 3 results in 0.01 seconds.

Search results

1. The Torrent

   Based on a damaged BitTorrent file of Jean Rollin's erotic horror film The Night of the Hunted (1980), The Torrent translates cross-cultural file error into new narrative configuration. It has appeared in book, installation, internet, and performance incarnations.  Unauthorized versions include: Le Torrent: La Fiancee de Wittgenstein Par Jo Maludies, by John Roland; The Torrent {by Joe Milutis} by Roxanne Carter; I Wrote the Torrent by L. J. Housley; The Torrent Milutis by Giardia Fuemte Jones; Doubts and Obscenities. "Electron is practically inexhaustible" V. I. Lenin ANARCHY IS LIFE by A.O.; The Night of Deception by Joe Milutis translated by Danny Snelson

   Joe Milutis - 21.01.2012 - 04:17

2. Digital Prohibition Piracy and Authorship in New Media Art

   The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained a stranglehold on our ability to transport, read, write, teach and publish digital materials.

   Contrasting Western models with issues of piracy as practiced in Asia, Digital Prohibition explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude (à la Antonio Negri and Michael Hardt, and Paulo Virno) as a new collaborative model for creation in the digital age. Looking at how digital culture has transformed unitary authorship from its book-bound parameters into a collective and dispersed endeavor, Dr. Guertin examines process-based forms as diverse as blogs, Facebook, Twitter, performance art, immersive environments, smart mobs, hacktivism, tactical media, machinima, generative computer games (like Spore and The Sims) and augmented reality.

   (Source: Continuum online catalog)

   Eric Dean Rasmussen - 28.03.2012 - 09:48

3. "Flows Dream / Shapes Hold": Tijdsgebondenheid, Overwriting, en Remixen in Generatieve Dichtkunst

   Generatieve dichtkunst is een genre dat voor velen nog onbekend zal zijn. In dit artikel biedt literatuurwetenschapper Hannah Ackermans een nadere kennismaking met deze vorm van e-poëzie. Via een analyse van de online gedichtengenerator Taroko Gorge van Nick Montfort bespreekt zij hoe drie kenmerkende eigenschappen van generatieve literatuur, namelijk tijdgebondenheid, overwriting en remixen, spelen met het idee van auteurschap. In hoeverre is er nog sprake van een auteur als een algoritme de gedichten creëert?

    

    

   Hannah Ackermans - 27.06.2017 - 09:25