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1. My Boyfriend Came Back From the War

   My Boyfriend Came Back From the War

   Scott Rettberg - 07.09.2011 - 20:22

2. Invisible Seattle: The Novel of Seattle, by Seattle

   Invisible Seattle: The Novel of Seattle, by Seattle

   Eric Dean Rasmussen - 15.01.2012 - 11:43

3. Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World

   Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World

   Scott Rettberg - 03.02.2012 - 15:34

4. The sport of détournement, the détournement of sport, basic skills for media remixes

   The sport of détournement, the détournement of sport, basic skills for media remixes

   Scott Rettberg - 19.05.2012 - 13:20

5. Psychographic Poetry

   Psychographic Poetry

   Scott Rettberg - 19.05.2012 - 19:45

6. Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices

   Cannibalistic Tendencies in Digital Poetry: Recent Observations & Personal Practices

   Patricia Tomaszek - 26.09.2012 - 13:26

7. Time Qullts (a loop study)

   Explores static or ambient cinema by remixing iconographies from movie history in asynchronous and nested loops.

   (Source: ELO 2008 Media Art show)

   Scott Rettberg - 13.01.2013 - 00:38

8. Snow Queen

   Snow Queen, a debut videopoem by Machine Libertine, is a combination of masculine poetry «Poison Tree» by William Blake contrasted to mechanic female MacOS voice and Sever group remix of Souzfilm animation «Snow Queen» (1957). The cubist imagery of the Snow Queen's realm evokes parallels with the realm of the digital that is as unstable as the icicles that Key composes the word "eternity" from.

   Natalia Fedorova - 26.01.2013 - 15:08

9. Descants

   On the occasion of the ELO 2010 conference celebrating Robert Coover, I have devised a 24-channel sound installation/performance.  Given the theme of the conference (Archive & Innovate), I chose to investigate the sonic literary archive, utilizing recordings of Robert Coover in the reading his own work as a framework for this composition.  Through a computational process of spectral analysis, editing, and re-synthesis, solo speech is transformed into a chorus of diffused instrumental timbres.  Time is stretched, allowing the ebb and flow of the original readings to be heard very slowly - creating an ambient, electro-acoustic arena.

   Scott Rettberg - 11.04.2013 - 10:57

10. Surf-Sample-Manipulate: Playgiarism On The Net

    At the opening of his influential essay entitled "Critifiction: Imagination As Plagiarism," novelist and critic Raymond Federman[1] says:

    We are surrounded by discourses: historical, social, political, economic, medical, judicial, and of course literary.
    Raymond Federman

    He then goes on to suggest two things: one, that the imagination should be used as an essential tool that leads to the formulation of a discourse and, two, that the practice of plagiarism is embedded within the creative process since the writing of a discourse always implies bringing together pieces of other discourses.
    This reminds me of a conversation I once had with the novelist Kathy Acker[2]. We were on a radio program together in Boulder, Colorado, and the interviewer asked her where she got her "writer's voice" from? Acker replied "What voice? There's no voice in my work: I just steal shit."

    (Source: Author's Introduction)

    Alvaro Seica - 20.02.2014 - 12:40

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