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  1. Trilogy

    My work with visual narrative has included installation form, book works, diptychs and billboard presentations. Using the web has allowed me to continue to expand my preoccupations with constructing rules for reading, methods of pacing and continue to explore image/text relationships. I am interested in the space between language and image.

    Trilogy is comprised of 3 image/text narratives whose themes are concerned with survival. Locale and characters are suggested by cropped fragments from mass media imagery as well as map fragments. While the images may allude to time period by photographic style or content, their function (protagonist, action, location) is directed by the text.

    Trilogy is a collaboration with Los Angeles fiction writers Rod Moore and Katherine Haake, both of whom have allowed me to reconfigure their texts.

    (Source: 2002 ELO State of the Arts gallery)

    Scott Rettberg - 13.01.2013 - 21:10

  2. Formes libres flottant sur les ondes

    As a writer, I've always had a deep interest in the relations between words, and images. To me, they are the two members of an original sign which by itself was able to give things their meaning. Using the web authoring tools that makes mixing words and images easy, we can try to find this first means of representation again. But quickly this reasoning becomes invalid. We will never find this original sign again. We are, on the contrary, living in a world where words have been deprived of their power to name things by the abundance of images. This generates a misfortune that can be read in my Formes libres flottant sur les ondes.

    (Source: 2002 ELO State of the Arts gallery)

    Scott Rettberg - 15.01.2013 - 20:48

  3. Strange Possessions

    This collections of four hypertext poems are organized around each of the four elements of old. The primary techniques that guides these works is collage and pastiche because each work is built from images (mostly by Dave McKean) and textual excerpts from other writers, with the exception of “Fire,” which Sanders wrote. The pieces are structured linearly, which means that each page has a link to the next until one reaches the end of the sequence. One piece, “Air” doesn’t have links, but uses the meta refresh tag to load the next page in the sequence every 5 seconds, perhaps to create the sense that one is being carried by a gentle wind from one page to the next. The combination of images and pithy lines and silky smooth prose poems create an oddly refreshing experience of the Web, as the minimalist design and sense of assembled Web objects— most of the texts are images of texts, which are computationally very different objects.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 10.02.2013 - 23:12

  4. Les récits voisins

    Recits voisins est le premier module mis en ligne sur oVosite. C'est aussi le plus complexe. Cet espace de lectures relie huit nouvelles autonomes en même temps qu'elles sont reliées entre elles par les destins croisés de personnages, associations poétiques ou élements naturels communs.

    Cet espace a été écrit et conçu à douze mains, six corps et têtes, et repose sur près de quatre cent cinquante liens répartis dans mille deux cent fichiers. Plus simplement, il s'agit d'un hypertexte qui ne renie pas la linéarité narrative mais tisse des passages latéraux…

    Luc Dall'Armellina - 1997

    Scott Rettberg - 27.06.2013 - 13:13

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