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1. Taroko Gary

   Another take on Taroko Gorge by Nick Montfort. Leonardo Flores uses some of Gary Snyder's words from "Endless Streams and Mountains".

   Hannelen Leirvåg - 28.02.2013 - 19:24

2. Birdfall

   “Birdfall” deconstructs a single narrative sentence written in conventional English and slowly transforming it into mezangelle. As you scroll down the window to read each line and prose poetry paragraph, the language becomes stranger as she inserts extended passages in brackets inside of words, shifts spelling to homophones with different meanings, adds self-referential metatext that suggests links, and more. She uses animated GIFs in the background and foreground to signal to readers that there there are shifting intentions, language, and narrative— as if the ground on which this text is placed is unstable. (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 03.05.2013 - 16:24

3. Clone-ing God & Ange-Lz

   “Clone-ing God & Ange-Lz” is graphical and scheduled in its presentation, transforming language and images in over time in ways that subvert traditional ways of portraying such figures. Short sound loops, animated images, and animated images of text with formatting and language changes enhance her mezangelle language practice with visual information, as can be seen in words like “prayah” (emphasis added 2.high[lite] the you.z of Y.t tXt in “ah”). (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 03.05.2013 - 16:37

4. Alphabet of Stars

   This responsive visual poem is a study of writing technologies and the word, whether it’s “ink sunk into fibrous paper” or “light through liquid crystals.” Inspired by Stephane Mallarmé’s poetic and theoretical writing as studied by Kittler, Trettien’s JavaScript (& JQuery) work explores the range of shades between the white page and the black sky as backgrounds against which writing can occur with light or ink.

   Designed not only for unresponsive screens or pages, this poem is written in code to display and behave in environments that allow for readers to provide input that the words react to. As the reader interacts with the language on the screen through the two interfaces she provides, the text hovers between readability and an illegible typographical overload. And the source code offers no shortcuts, since each letter is separated by extensive code that positions it on the screen. You have to get inside the page and navigate it with the tools offered by your platform.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 07.05.2013 - 13:00

5. In a World Without Electricity

   This is a true story about the untimely death of someone close to the speaker, who seeks to reconstruct the story of her death in a way that can provide closure and hopefully justice. It is also a reflection on analog and digital storytelling and the objects that hold these stories.

   The work’s interface displays each portion of this linear narrative as a kind of slideshow, sequentially presenting each piece of the argument and evidence in a way that makes a compelling and moving. In tune with its media, it is very “electric” with plus and minus symbols on the sides of the slideshow (in the shape of a battery) that serve as a navigation interface. The electricity in the title, the battery, shaped interface, the line of ooooooo’s at the base of the slides— which indicates one’s position in the narrative, all seem to symbolically suggest the energy required in a assembling materials and evidence to put together a compelling narrative, one that might lead to an official investigation.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 07.05.2013 - 16:15

6. How They Brought the News from Paradise

   This narrative poem tells the mock-heroic adventures of an unlikely antihero on an imaginary quest. As Bigelow describes the piece,

   In “How They Brought the News from Paradise to Paterson,” a first-person speaker narrates his story (in heroic verse) as he swims from one end of a resort pool complex to another in search of what he thinks is more alcohol, but is in fact a journey to find his marriage
   and himself. The poem plays with the epic and tragic within a setting stifled with consumerism and class separation.

   The poem is structured as the monomyth, in which the speaker, while lounging at the Paradise pool bar in a 5-star resort in Barbados, overhears what he interprets as a call to adventure: the bar has run out of rum. Taking upon himself to embark upon a journey through the pool complex to find the god-like Concierge at the far end, whose “sage advice / and quick, imperious commands” would restore the flow of rum in Paradise.

   Hannelen Leirvåg - 07.05.2013 - 16:30