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  1. Yoko Engorged

    This erotically charged generative poem imagines John Lennon and Yoko Ono engaging in endless sexual exploration. This famous couple was controversially open about sexuality, nudity, and used their celebrity to cut through bourgeois prudishness. After Lennon’s death, Yoko Ono continued with her artistic and musical career, with creative practices associated with the Fluxus movement. For example, this poem uses the “audience volunteer(s)” to reference her famous performance piece titled “Cut Piece” in which audience members cut her clothing with scissors until she was naked on stage. This poem is a bold remix of Nick Montfort’s “Taroko Gorge” code, which started as “began with the rather awful titular play on words and just evolved/devolved from there.” (Source: Leonardo Flores, I ♥ E-Poetry)

    Meri Alexandra Raita - 23.02.2012 - 14:40

  2. La Belle

    “La Belle” is a kinetic poem created by Philippe Bootz in 1989. Published in the review alire 2, it was later transferred into the anthology Le salon de lecture électronique in 1994. The poem itself is a brief program that is presented in several parts. That is to say, the poem seems to be cut into strophes: a preliminary strophe that introduces the poem, a sequence of lines that appear and disappear quickly in the center of the screen that make up the second part of the poem, and the third strophe that is presented just after the first and second strophes. Yet, the third strophe changes a bit after the second strophe. Only the last line of the poem, “froid jusqu’au coeur,” is seen. This means of presenting the poem complicates the comprehension of its sense and thus creates a sentiment of distance from the poem. Moreover, the rapidity of the program is accentuated by the transfer software for technological reasons. Therefore, the feeling of isolation from the poem is augmented inadvertently by the software program. Despite all that, a meaning can be drawn from the poem so long as one knows how to slow down the program to be able to soak it in.

    Jonathan Baillehache - 16.09.2014 - 05:18