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  1. "Where you will have been I am..." [not yet found]

    "A short, live performance work, the words for which will have been written with and against their Google-indexed networked corpus. The words may ask, 'Where were you, after we heard about the accident but as yet we did not know?' I will ask the audience to make simple gestures in order to hear the language of the piece."

    (Source: author-submitted abstract.)

    Eric Dean Rasmussen - 20.01.2011 - 18:51

  2. The Precession

    The Precession is a data-driven networked poem being developed simultaneously as both a large-scale installation and live performance. The work makes use of original writing and real-time data collection to create visual-poetic arrangements based on inquiries into architecture and the night sky. The piece mixes databased sources, real-time interruptions, and algorithmic composition in an evolving ecology.

    The Precession considers as a primary source Oskar J.W. Hansen's sculpture Winged Figures of the Republic permanently installed at the Hoover Dam. Hansen's 1935 work commemorates the building of the dam and includes a complex celestial map. Beginning with the date of the dam's dedication, the map contains the data for someone skilled in astronomy to accurately trace the position of the polestar each subsequent night for the next 26,000 years.

    The online work, in its current state of development, is mainly time-based taking approximately 20 minutes (with links to individual areas also accessible).

    Eric Dean Rasmussen - 24.01.2011 - 17:46

  3. Connected Memories

    This piece is an exploration of oral histories and the use of technology as a participatory and inviting medium to perform and share stories.

    It is an interactive piece, which consists of a series of extracts from interviews of refugees living in London and the connection between them. They are compiled in a database and linked by common key words. To represent the fractured realities and the formations of connected memories, the viewers need to interact with the piece by clicking on the coloured activated 'common keywords' in order to generate extracts of narrations from the different participating refugees. As an installation the piece includes a microphone to invite the viewers to read aloud and share with other viewers the experience of performing the work through their reading. 

    Eric Dean Rasmussen - 25.01.2011 - 18:01

  4. Newsrub

    Newsrub

    Eric Dean Rasmussen - 25.01.2011 - 18:04

  5. exquisite_code

    exquisite_code is an algorithmic performance system for heterogeneous groups of writers. The writers generate prompts and responses for var1 minute session at the end of which computational devices select/mangle text according to var2 edit. Mangled text outputs get displayed to writers who, in unrelenting sessions, generate further prompts and responses, with chunk on chunk piled up to create a c[ad]aver[n]ous exquisite_code life-work.

    (Source: Work website.)

    Eric Dean Rasmussen - 14.03.2011 - 13:38

  6. The Torrent

    Based on a damaged BitTorrent file of Jean Rollin's erotic horror film The Night of the Hunted (1980), The Torrent translates cross-cultural file error into new narrative configuration. It has appeared in book, installation, internet, and performance incarnations.  Unauthorized versions include: Le Torrent: La Fiancee de Wittgenstein Par Jo Maludies, by John Roland; The Torrent {by Joe Milutis} by Roxanne Carter; I Wrote the Torrent by L. J. Housley; The Torrent Milutis by Giardia Fuemte Jones; Doubts and Obscenities. "Electron is practically inexhaustible" V. I. Lenin ANARCHY IS LIFE by A.O.; The Night of Deception by Joe Milutis translated by Danny Snelson

    Joe Milutis - 21.01.2012 - 04:17

  7. The Nowhere Dance

    The Nowhere Dance is a performance that to place in Alan Sondheim's Second Life exhibition The Accidental Artist (http://elmcip.net/node/3375). It was performed by Alan Sondheim and Sandy Baldwin February 11th 2009.

    Elisabeth Nesheim - 03.02.2012 - 12:18

  8. The Accidental Artist

    The Accidental Artist was an ongoing exhibition in Second Life at Odyssey, June 2008 - January 2009, by Alan Sondheim, with help from Sugar Seville, Azure Carter, Gary Nanes, Sandy Baldwin, and Frances van Scoy at the Virtual Environments Laboratory, West Virginia University, Morgantown, West Virginia. The show changed daily and the gave me an opportunity to study the phenomenology of a virtual world in relation to avatar-human objectivity. The following texts were written during the generation of the show.

    Elisabeth Nesheim - 03.02.2012 - 13:03

  9. The sport of détournement, the détournement of sport, basic skills for media remixes

    The sport of détournement, the détournement of sport, basic skills for media remixes

    Scott Rettberg - 19.05.2012 - 13:20

  10. Psychographic Poetry

    Psychographic Poetry

    Scott Rettberg - 19.05.2012 - 19:45

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