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1. Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext

   Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext

   Eric Dean Rasmussen - 07.07.2011 - 16:37

2. Click

   Click

   Eric Dean Rasmussen - 07.07.2011 - 16:42

3. I Have Said Nothing

   This hypertext narrative includes two fatal car crashes. The plot of this story motivates its readers to navigate their way through the story of loss, death, and media. This chilling story also encourages the readers to a chaotic retrospective thinking and reflection.
   With the use of hypertext links, the plot only progresses by the help from its readers through active participation and the choices they make with the point-and-click system

   Jill Walker Rettberg - 28.07.2011 - 14:42

4. Le Nœud

   Le Nœud

   Eric Dean Rasmussen - 17.08.2011 - 16:04

5. Écran Total

   Écran Total

   Eric Dean Rasmussen - 17.08.2011 - 16:06

6. The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext

   After all these years, Cayley is still troubled by the question of whether writing in other media, such as hypertext, can be a 'book.' Do writers need to write books in order to be writers?

   Eric Dean Rasmussen - 18.08.2011 - 16:58

7. Cybertext Killed the Hypertext Star

   Cybertext Killed the Hypertext Star

   Eric Dean Rasmussen - 01.09.2011 - 14:14

8. Literature Nation

   Literature Nation

   Eric Dean Rasmussen - 05.09.2011 - 10:48

9. My Boyfriend Came Back From the War

   My Boyfriend Came Back From the War

   Scott Rettberg - 07.09.2011 - 20:22

10. Hyper/Text/Theory

    In his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory.

    Among the contributors, Charles Ess uses the work of Jürgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands.

    Eric Dean Rasmussen - 12.09.2011 - 08:36

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