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  1. The Transborder Immigrant Tool

    "Transborder" could (and does) refer to any border: political or otherwise. Yet the use of "border" and "immigrant" in a project emanating from just north of the US-Mexico border, unmistakably signals engagement with incendiary border politics that demonize the undocumented as "illegals," as an incursion of dangerous, job-stealing invaders. This artwork inverts that narrative by marshalling empathy for the border-crosser who has already passed into the United States but who is about to die of thirst. Its tactic: drawing the audience into a ritualistic enactment of that perilous journey. However, by presenting the journey, the work does not aestheticize the undocumented as avatars for first-world observers, but instead, by reframing the journey in life-or-death terms, helps to deny the rhetorical construction of "illegals," by recasting the travelers as immigrants in search of the most human needs: water for their bodies and poetry for their souls.

    Scott Rettberg - 03.07.2013 - 13:50

  2. High Muck a Muck: Playing Chinese

    High Muck-a-Muck: Playing Chinese explores the narratives and tensions of historical and contemporary Chinese immigration to Canada. The project is both an interactive installation and an interactive website. Accompanying the installation and embedded within the website are eight videopoems. The piece is a result of a collaboration between eleven writers, artists and programmers and was created over three years from 2011–2014. The installation received its first public exhibition at Oxygen Art Centre in Nelson, BC in July, 2014. The digital work was created in HTML 5. The three aspects of the project – videos, interactive installation and website – can be exhibited together or in discrete parts. (source: ELO 2015 catalog)

    Hannah Ackermans - 10.09.2015 - 16:23